Review of Alita: Battle Angel (2019) by Richard Brody for The New Yorker — 13 Feb 2019
The character of Hugo is written and directed with an aw-shucksiness that wouldn’t have been out of place in a Mickey Rooney musical, and his romance with Alita has a simple and absolute purity that’s as sentimentally drubbing as it is devoid of substance.
You can read the full review where it was originally posted online.
This review of Alita: Battle Angel (2019) was written by Richard Brody and published by The New Yorker on 13 Feb 2019.
Alita: Battle Angel has generally received very positive reviews.
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