Review of Alice in the Cities (1974) by Richard Brody for New Yorker — 23 Aug 2015
With this film, Wenders crystallized his style of existential sentimentality. His cool eye for urbanism and design blends a love of kitsch with a hatred for commercialism, historicism with a fear of history’s ghosts.
You can read the full review where it was originally posted online.
This review of Alice in the Cities (1974) was written by Richard Brody and published by New Yorker on 23 Aug 2015.
Alice in the Cities has generally received very positive reviews.
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