Review of Albert Nobbs (2011) by Anthony Lane for The New Yorker — 30 Jan 2012
Imagine a different film on a similar theme, with Hubert moved to center stage and García replaced by Pedro Almodóvar, for whom cross-dressers in a Catholic country would be meat and drink. Poor Albert could then retreat into the shadows, where he so evidently belongs, emerging only to pour the wine and clear away the feast.
You can read the full review where it was originally posted online.
This review of Albert Nobbs (2011) was written by Anthony Lane and published by The New Yorker on 30 Jan 2012.
Albert Nobbs has generally received mixed reviews.
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