Review of Aladdin (1992) by Ed Gonzalez for Slant Magazine — 16 Jul 2001
Aladdin is ultimately less offensive than patently ridiculous, mostly because its ethnic white noise is really just an excuse for Robin Williams—as a postmodern blabbermouthed genie who grants Aladdin three wishes—to put on the most elaborate, narcissistic circus act in the history of cinema.
You can read the full review where it was originally posted online.
This review of Aladdin (1992) was written by Ed Gonzalez and published by Slant Magazine on 16 Jul 2001.
Aladdin has generally received very positive reviews.
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