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Last updated: 05 Jun 2026 at 18:42 UTC

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Review of by Guy Dixon for The Globe and Mail (Toronto) — 26 Jul 2012

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Yet the most startling scene in the film is when he returns home after confinement. He politely tells the journalists waiting outside his home studio that he is on bail and can not talk. He smiles and repeatedly declines to comment.

It is utterly contrary to his true character.

You can read the full review where it was originally posted online.

This review of Ai Weiwei: Never Sorry (2012) was written by and published by The Globe and Mail (Toronto) on 26 Jul 2012.

Ai Weiwei: Never Sorry has generally received very positive reviews.

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