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Last updated: 05 Jun 2026 at 04:51 UTC

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Review of by Manohla Dargis for The New York Times — 25 Jul 2012

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The fluidity and convenience of digital moviemaking tools explain some of its freshness, as does Ms. Klayman's history as a budding documentarian. It's clear from watching both the feature and its earlier iterations that, while she was learning about Mr.

Ai, she was also learning how to tell a visual story. It's easy to think that hanging around Mr. Ai, a brilliant Conceptual artist and an equally great mass-media interpolater, played a part in her education.

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This review of Ai Weiwei: Never Sorry (2012) was written by and published by The New York Times on 25 Jul 2012.

Ai Weiwei: Never Sorry has generally received very positive reviews.

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