Review of Afterglow (1997) by Jimmy Fowler for Dallas Observer — 09 Nov 1998
Although Afterglow bears the lyrical slow-zooms, tracking shots, and idle character development Rudolph learned while working as an associate director on such Altman classics as Nashville (where he first met Christie), it's safe to say that much of the film's strong critical reception is due to the director's showcasing Christie's undiminished movie-star grace so reverently.
You can read the full review where it was originally posted online.
This review of Afterglow (1997) was written by Jimmy Fowler and published by Dallas Observer on 09 Nov 1998.
Afterglow has generally received mixed reviews.
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