Review of Ad Astra (2019) by Anthony Lane for The New Yorker — 16 Sep 2019
Ad Astra is Gray’s most formidable paradox to date, liable to leave you awed, confused, and sad. It is a work of calculated grandeur, and, if you get the chance to catch it in IMAX, and thus to revel in the breadth of its beauty, do so.
But there’s something small at the movie’s core.
You can read the full review where it was originally posted online.
This review of Ad Astra (2019) was written by Anthony Lane and published by The New Yorker on 16 Sep 2019.
Ad Astra has generally received positive reviews.
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