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Last updated: 11 Jun 2026 at 01:22 UTC

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Review of by Michael R — 05 Nov 2007

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Absence of Malice is the perfect title for this insightful exploration of the shades of right and wrong in journalism. The opening sequence traces the publication of a newspaper from the word processor to the final print and the remainder of the film concerns itself with everything else surrounding the publication of a news article.

As filmed by Pollack the actual printing process is beautiful and mechanical, a process whose serenity starkly contrasts with the tumult behind a storyâ??s generation and disrupting consequences its printing can have.

Of course Sally Field plays a reporter who breaks all of the rules but her character remains endearing enough for us to feel sorry for her most of the time. Paul Newman gives a flawless performance as a liquor wholesaler being â??squeezedâ?? as part of an investigation into a missing labor leader.

As the story unfolds much of the truth remains obfuscated from the audience making this film a mystery of sorts. One of the great beauties of Absence of Malice, however, is that while mystery propels the plot forward it never detracts from the central question it asks, a question that gnaws at the roots of personal and professional responsibility.

This review of Absence of Malice (1981) was written by on 05 Nov 2007.

Absence of Malice has generally received positive reviews.

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