Review of A Man for All Seasons (1966) by Nick K — 31 Dec 2011
A Man for All Seasons is, for the most part, a film that has withstood the test of time. Based on the play of the same name by Robert Bolt, it tackles a very high concept and complex subject matter, dealing with the inner workings of the formation of the Church of England by King Henry VIII during the 15th century, and one man's opposition to the motive.
For the most part, director Fred Zinnemann successfully executes, crafting a film drenched in drama. The story of Thomas More is a deep and intricate tale, as his opposition to Henry's divorce and remarriage outside of church law makes him the only true honest man in the court, while also painting a huge target on his back.
And Thomas More is brought to life in the career-defining performance from Paul Scofield, earning his Oscar and the Best Picture award almost singlehandedly. Not to say that the rest of the cast is any less impressive, though.
Robert Shaw shines as King Henry, making him appear a man of erratic changes in emotion who desperately seeks moral approval for his actions. Leo McKern also gives a memorable turn as the corrupt Cromwell, who is the film's most identifiable villain.
Strong supporting jobs are given from the renowned Orson Welles, a young John Hurt, Wendy Hiller, and Susannah York. The one weakness of the film is that the story struggles to transition from its turning point to its final act, dragging in the middle and potentially boring some viewers.
Nevertheless, A Man for All Seasons is worthy of its Oscar, based solely on Scofield and the depth and gravity of its themes.
This review of A Man for All Seasons (1966) was written by Nick K on 31 Dec 2011.
A Man for All Seasons has generally received very positive reviews.
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