Review of 8½ (1963) by Santasa — 04 Nov 2021

It's spectacular. It was creative impulse, resulting in culture and art's main reference point.

This review of 8½ (1963) was written by Santasa on 04 Nov 2021.

8½ has generally received very positive reviews.

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More Reviews of 8½

Review of 8½ (1963)

By Gracjanski (417) on 01 May 2021

Extremely boring movie with a surrealistic atmosphere and weird characters. I couldnt find any humour also…

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Review of 8½ (1963)

By James Powers (23) for The Hollywood Reporter (7,050) on 09 Aug 1999

A grim fable of modern man, a true art picture…

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Review of 8½ (1963)

By Derek Malcolm (772) for The Guardian (2,969) on 03 Jan 2016

8 1/2 is probably the most potent movie about film-making, within which fantasy and reality are mixed without obfuscation, and there's a tough…

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Review of 8½ (1963)

By Crosby Day (24) for Orlando Sentinel (1,594) on 22 Jan 2012

8½ works best as a self-deprecating comedy, a fact revealed most forcefully in the folly of film production on display…

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Review of 8½ (1963)

By Johanna Steinmetz (72) for Chicago Tribune (6,211) on 11 Mar 2019

Fellini weaves the director’s memories and fantasies into a brilliant blend as Guido comes to realize that lives, like movies, need direction…

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Review of 8½ (1963)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 11 Jan 1991

It's Fellini's last black-and-white picture and conceivably the most gorgeous and inventive thing he ever did—certainly more fun than anything…

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Review of 8½ (1963)

By Nick Barbaro (7) for Austin Chronicle (7,653) on 11 Oct 1997

With 8 1/2, Fellini cast aside all vestiges of the naturalism that informed his early work…

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Review of 8½ (1963)

By Aj_13 (170) on 12 Sep 2022

THE GOOD: Marcello Mastroianni delivers a titanic performance…

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Review of 8½ (1963)

By Stanley Kauffmann (447) for The New Republic (897) on 04 Jan 1984

I don't think that 8 1/2 says very much, but it is breathtaking to watch…

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Review of 8½ (1963)

By Bosley Crowther (448) for The New York Times (9,847) on 10 Apr 1973

It has no more plot than a horse race, no more order than a pinball machine, and it bounces around on several levels of consciousness, dreams…

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