Review of 8½ (1963) by Nick Barbaro for Austin Chronicle — 11 Oct 1997
With 8 1/2, Fellini cast aside all vestiges of the naturalism that informed his early work. From here, he stepped off into the dazzling fantasyland of Juliet of the Spirits, Satyricon, and Roma, but for many, this remains the quintessential Federico.
You can read the full review where it was originally posted online.
This review of 8½ (1963) was written by Nick Barbaro and published by Austin Chronicle on 11 Oct 1997.
8½ has generally received very positive reviews.
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