Review of 25th Hour (2002) by Jason W — 11 Oct 2009

Spike Lee is a director that it took me a while to watch. Call it the prejudices of growing up in a southern right wing Christian family, but I always got the impression that he was a racist black man blaming all the black race's social ailments on the white man. Having been raised by members of both races, I'm not fond of that type of mentality. Finally, I decided to educate myself on Lee's films, and started with the amazing social commentary of Do the Right Thing. Boy, was I wrong. Since then I've watched a few Spike Lee joints and never got the impression that he was a racist, but that he was highly aware of the racial and social tensions that came with living in the big city, and you see a little bit of that in 25th Hour.

In 25th Hour, we meet Montgomery Brogan, a former heroine dealer for the Russian mob recently pinched and spending his last day as a free man with his family and closest friends before spending the next 7 years behind bars. Among his friends he has: Jacob Elinsky (Philip Seymour Hoffman), a high school English teacher coming to terms with his crush on one of his students (Anna Paquin); Frank Slaugherty (Barry Pepper), Monty's oldest friend who's dealing with the fact that his best friend is a drug dealer and he never tried to stop him; Naturelle Riviera (Rosario Dawson), his girlfriend who may or may not have sold him; and his dad, James Brogan (Brian Cox), who would rather see his son run far away and never come back than go to prison.

25th Hour is more of a character study than anything else. The movie surrounds a party where each member of Monty's entourage comes to term with what's going on in this life. While featuring what's going on in the present, we also see flashbacks that help flesh out the history of some of our more notable characters as Lee expounds on the whodunit of selling out Monty. Lee still approaches the racial and social tensions as Monty fights with his subconscious in an effort to remember that he screwed up his own life. Lee does a great job at presenting the struggles of life in a big city, and as always in a Lee movie the big city is a living breathing character in and of itself.

The acting pedigree in this movie is nothing to sneeze at either. Featuring Golden Globe and Oscar nominated talent such as Philip Seymour Hoffman, Anna Paquin, and Brian Cox, as well as other notable actors like Rosario Dawson and Barry Pepper you expect nothing but the best. The movie completely belongs to the tortured performance of Edward Norton. This performance recalls his work in American History X, while delving into different areas of guilt, depression, and owning your situation. I would argue that Norton even goes deeper into the character, giving a more nuanced performance that is less preachy than he did in the aforementioned movie.

The one main fault I would have to pin on this movie is pacing. For the most part the movie flows perfectly, but the flashbacks, while serving to build up the characters, don't help the narrative flow properly. If you were to ask if this movie is an enjoyable movie and worth watching, I would have to answer with an enthusiastic yes.