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Last updated: 04 Jun 2026 at 04:36 UTC

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2:37 (2006) - Movie Reviews - Page 12 of 12

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Review of 2:37 (2006)

By Ben H (1,875) on 18 Feb 2007

While greatly flawed as it may be, it is still a emotional romp that I recommend to EVRYBODY to witness...of any age…

Review of 2:37 (2006)

By Lydia W (39) on 14 Feb 2007

Excellent! Pretty full on but in a good way…

Review of 2:37 (2006)

By Eric D (380) on 12 Feb 2007

Ugh, I waited a long time to see this…

Review of 2:37 (2006)

By Lach G (2) on 02 Feb 2007

Good, but gets kinda loses it's touch towards the ending…

Review of 2:37 (2006)

By God? (52) on 01 Feb 2007

On face value, it's a no-holds-barred rehash of Elephant... replacing the mass murder with a very contained and very graphic suicide…

Review of 2:37 (2006)

By Dean M (1,337) on 19 Jan 2007

Strange, but not bad about the lives of six teenagers as I wonder who makes a suicide from the beginning before the end…

Review of 2:37 (2006)

By Alanna B (39) on 16 Jan 2007

Cool story, twisted. But! I have complaints. Murali is totally messin' with Gus' style…

Review of 2:37 (2006)

By Charlotte W (56) on 14 Jan 2007

Very emotional and well done too, good to see its australian. this movie has left me thinking even more than I usually do. beautiful…

Review of 2:37 (2006)

By Alex C (1,429) on 08 Jan 2007

Teresa Palmer is my gorgeus aunty!!! YAY!! Luv ya Tezz…

Review of 2:37 (2006)

By Cancelled U (744) on 26 Nov 2006

Best Aussie film to come out of 2006. It's the Australian version of Kids…

Review of 2:37 (2006)

By Timothy Liam M (5) on 11 Nov 2006

Someone has bled to death in the school lavatories…

Review of 2:37 (2006)

By Erikson A (1) on 01 Nov 2006

For an aussie film.. this ones right up there…

Review of 2:37 (2006)

By Andie E (1) on 23 Oct 2006

Disturbing and graphic. Its an aussie film, you walk out of the cinema feeling sick to the stomach…

Review of 2:37 (2006)

By Jim Emerson (69) for RogerEbert.com (5,563) on 03 Oct 2006

The film flows naturally around its central contrivance, employing unforced performances by unprofessional actors and a visual style that uses…

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