Review of 2001: A Space Odyssey (1968) by Xgary X — 20 May 2014
2001 is a film that does not concern anything so trite as human relationships. 2001 is a film of a scale so epic as to never have been conceived before. Up until 1968, sci-fi was all about flying saucers, death rays and theramins.
Kubrick set about making a film themed around the history of the human species, from the dawn of man through to space exploration and beyond. The first thing that strikes you about this film is its sheer visual spectacle; Kubrick's juxtaposition of classical music with the elegance of space travel shows technology not as clunky and ugly, but a thing of beauty.
His use of colour is breathtaking, from the cold blues of outer space, to the vivid reds of the ship's systems and the stunning pure whites and primary colours of the still brilliant looking retro future styling of the space station's interiors.
He takes pains to show the logistics of space travel, mixing the mundane with the surreal images of an existence without the influence of gravity. But it is the stargate sequence that is the truly jaw dropping part of this film, and it is still one of the most visually stunning scenes ever committed to celluloid.
The main criticism levelled at this film is its infamous obtuseness, Kubrick deliberately leaving the implications of the themes he is exploring for the viewer to conclude for themselves. I would seriously suggest to anyone having trouble coming to grips with it to read the book, as it does explain all.
Kubrick was an artist, and this is his masterpiece; only he could even have attempted to sum up the entire history of humanity in a single cut. Amazing.
This review of 2001: A Space Odyssey (1968) was written by Xgary X on 20 May 2014.
2001: A Space Odyssey has generally received very positive reviews.
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