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1917 (2019) - Movie Reviews - Page 10 of 11

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Review of 1917 (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 17 Dec 2019

In the case of Sam Mendes’s First World War thriller 1917, I am willing to concede that this is indeed a cinematic experience that demands…

Review of 1917 (2019)

By Ann Hornaday (1,919) for Washington Post (9,851) on 17 Dec 2019

1917 is impressive but oddly distancing; ultimately stirring but too often gimmicky…

Review of 1917 (2019)

By Matt Doughtery (1) for We Got This Covered (2,391) on 12 Dec 2019

While watching 1917, there’s a sense that you’re waiting for a fresh take or an interesting point that never comes…

Review of 1917 (2019)

By Brian Truitt (541) for USA Today (4,117) on 11 Dec 2019

What makes the vivid film such an astounding effort – and one of the year's best movies – is that it’s edited seamlessly as one continuous…

Review of 1917 (2019)

By Matt Patches (283) for Polygon (677) on 04 Dec 2019

1917 is a noble, failed experiment in breaking the rules…

Review of 1917 (2019)

By Roger Moore (6,008) for Movie Nation (3,875) on 03 Dec 2019

1917 loses its urgency just enough to make you notice and wonder “What are these two doing? Get BACK to the MISSION!”…

Review of 1917 (2019)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 03 Dec 2019

As 1917 goes on and the pair face a series of logistical challenges (navigating a collapsing bunker, crossing a bombed-out bridge), the film’s…

Review of 1917 (2019)

By Dan Pfleegor (2) for Consequence of Sound (1,431) on 30 Nov 2019

The long-shot is hardly a novelty — as it so often tends to be wielded in Hollywood — but a point of view — a feeling even…

Review of 1917 (2019)

By A.a. Dowd (854) for The A.V. Club (5,644) on 27 Nov 2019

By the end, 1917 has positioned itself as a salute to the sacrifices of those who died for their country…

Review of 1917 (2019)

By Johnny Oleksinski (478) for New York Post (6,650) on 26 Nov 2019

1917 is a modern war classic and one of the best movies of the year…

Review of 1917 (2019)

By Jason Bailey (832) for The Playlist (3,871) on 26 Nov 2019

The proximity and intimacy of the technique render Schofield and Blake’s journey more visceral, and more frightening…

Review of 1917 (2019)

By Matt Maytum (105) for Total Film (3,532) on 26 Nov 2019

Sam Mendes audacious WW1 epic is a sensational technical achievement, grounded by George MacKay’s gritty intensity…

Review of 1917 (2019)

By Alex Godfrey (59) for Empire (3,446) on 26 Nov 2019

Although 1917’s filmmaking very much brings attention to itself, it’s an astonishing piece of filmmaking, portraying war with enormous…

Review of 1917 (2019)

By Jake Cole (292) for Slant Magazine (8,298) on 26 Nov 2019

The most thrilling and haunting details here are actively undermined by the chief technical gimmick of the film…

Review of 1917 (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 25 Nov 2019

1917 is Mendes’s most purely ambitious and passionate picture since his misunderstood and under-appreciated Jarhead of 2005…

Review of 1917 (2019)

By Jim Vejvoda (203) for IGN (1,013) on 25 Nov 2019

1917 is an expertly crafted and emotionally exhausting thrill-ride behind enemy lines…

Review of 1917 (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Nov 2019

The film belongs to Chapman and more than anyone, MacKay, a 27-year-old Londoner with the long bones and baleful eyes of a porcelain saint…

Review of 1917 (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 25 Nov 2019

Mendes is intent on bringing a sense of breathless derring-do to a war only known for its doomed futility…

Review of 1917 (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 25 Nov 2019

Even if the film is mostly hitting familiar notes in terms of story and theme, it expresses a concise, focused and expertly managed vision…

Review of 1917 (2019)

By Kate Erbland (681) for IndieWire (3,631) on 25 Nov 2019

The clock is always ticking in 1917, and even as MacKay is offering a heartbreaking study in restrained emotion, he’s still at least moving…

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