Review of Faster, Pussycat! Kill! Kill! (1965) by Danielle R — 03 Feb 2008

Beautiful Women, Fast Cars, Sexploitation, kick ass music, I wanna die and be reincarnated as Tura Santana.

This review of Faster, Pussycat! Kill! Kill! (1965) was written by Danielle R on 03 Feb 2008.

Faster, Pussycat! Kill! Kill! has generally received positive reviews.

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More Reviews of Faster, Pussycat! Kill! Kill!

Review of Faster, Pussycat! Kill! Kill! (1965)

By David E (805) on 21 Jul 2013

Faster, Pussycat! Kill! Kill…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Dakota P (55) on 21 May 2011

I dont try and thing I just do it, wana try me? Genius…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Viktor N (364) on 28 Jan 2013

One of the best and most unique of Russ Meyer's films, Faster Pussycat.. continues to shock audiences and remain as vital as when it opened…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Cory A (255) on 30 Apr 2011

A Grindhouse movie that isn't that bad…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Jussi H (38) on 23 Oct 2012

Incredibly film like nothing you've seen b4. Well maybe that's exaggerating but a serious but poorly made film like this is RARE…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Helen E (201) on 27 Aug 2011

Blunt screenplay turned into visual orgy of sado-macho-ultra-femine sadism. Great acting... in a way of course…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Danny A (200) on 09 Apr 2012

Three bad mammajammas try to muscle their way into hidden loot of a family of perverts…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Donald W (342) on 18 Jun 2014

This is one of Russ Myer's low budget black and white movies. Unlike many of his movies there is no nudity in this movie…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Adam T (636) on 08 Aug 2016

Three beautiful female dancers are driving through the desert when they come across a young couple…

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Review of Faster, Pussycat! Kill! Kill! (1965)

By Sam B (1,226) on 26 Feb 2011

A men's adventure magazine come to life. Russ Meyer created perfect exploitation that wasn't trying to be ironic at all…

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