Review of Lola (1981) by Art S — 26 Dec 2009
Bathed in candy-colored lights, Armin Mueller-Stahl succumbs to capitalism's temptations, while Barbara Sukowa negotiates her self into the power elite. Fassbinder's stylistically audacious and artificial film tackles politics, economics, and German/film history with satirical precision.
This review of Lola (1981) was written by Art S on 26 Dec 2009.
Lola has generally received very positive reviews.
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