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Last updated: 24 Jul 2026 at 01:19 UTC

Movie Reviews by Tomris Laffly - Page 14 of 23

261-280 of 460 Reviews

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Review of Cold War (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 17 Dec 2018

An aching film on such exquisite pains of impossible love, Paweł Pawlikowski’s Cold War concurrently swells your heart and breaks it, just…

Review of Capernaum (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 14 Dec 2018

There is an undeniable neorealist quality to Labaki’s work, bringing to mind not only the first half of Garth Davis’ Lion, but also the…

Review of Clara's Ghost (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 07 Dec 2018

Throughout Clara’s Ghost you can’t help but think that you’re watching a quaint home video that would appeal to the members of the subject…

Review of Disobedience (2018)

By Tomris Laffly (460) for CineVue (2,163) on 03 Dec 2018

The visually icy Disobedience lacks the absorbing emotional pull of the filmmaker’s best but packs a rare kind of generosity in its attentiveness…

Review of Happy as Lazzaro (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 29 Nov 2018

Easily among this year’s finest films and laced with an unapologetic social message, Happy As Lazzaro dares one to imagine a reality where…

Review of Vox Lux (2018)

By Tomris Laffly (460) for Film Journal International (5,095) on 20 Nov 2018

Brady Corbet's accomplished and timely sophomore feature wrestles with interwoven curiosities around media, pop culture, celebrity and violence…

Review of The Favourite (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 20 Nov 2018

Even if this unique absurdist has not exactly been your cup of tea previously, he might finally win you over with this deliciously “Dangerous…

Review of At Eternity's Gate (2018)

By Tomris Laffly (460) for Time Out (7,510) on 19 Nov 2018

An incomplete exercise that lacks crucial emotional brushstrokes despite a rich palette and a piano-heavy score, At Eternity’s Gate still…

Review of The Last Race (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 16 Nov 2018

An empathetic examination of the traditional lifeline of a tight-knit community, threatened to be torn apart by an inevitable wave of capitalist…

Review of The New Romantic (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 09 Nov 2018

A thoughtfully feminist spin on “Pretty Woman,” this film is not…

Review of Dovlatov (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 25 Oct 2018

With its script (co-written by German and Yulia Tupikina) that lacks the traditional structure of a three-part act, Dovlatov managed to evoke…

Review of The Price of Everything (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 18 Oct 2018

Unlike Kahn’s acclaimed and much tidier 2003 documentary “My Architect,” The Price of Everything has a meandering nature and explores…

Review of Boy Erased (2018)

By Tomris Laffly (460) for Film Journal International (5,095) on 14 Oct 2018

The most emotionally arresting moments of Boy Erased are delivered through quieter scenes between Jared and his parents…

Review of The Kindergarten Teacher (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 11 Oct 2018

Both scrupulous and fittingly hazy, Gyllenhaal captures her character’s outsider-ly state-of-mind with astonishing depth, through the subtlest…

Review of Sadie (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 11 Oct 2018

The gloomy turns in her film accumulate to such an extreme outcome in the end that you inevitably start raising your eyebrows to the contrived…

Review of Assassination Nation (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 20 Sep 2018

So hectically overdone in style that it already feels dated despite its timely leanings, Levinson’s film vaguely shelters a compelling story…

Review of The Children Act (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Sep 2018

The Children Act is perhaps a bit stilted in the overt way it sometimes attempts to spell out its arguments…

Review of Where Hands Touch (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 09 Sep 2018

While Where Hands Touch demonstrates confident filmmaking from a technical standpoint, Asante’s plot choices around the ambiguous development…

Review of The Sisters Brothers (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 08 Sep 2018

Call it a revisionist or an absurdist Western if you will, but Audiard’s film feels both refreshingly new (without ever going to the extreme…

Review of First Man (2018)

By Tomris Laffly (460) for Film Journal International (5,095) on 04 Sep 2018

A giant leap even for the youngest-ever Best Director victor, Damien Chazelle’s technically astonishing First Man is a poetic non-blockbuster…

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