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Last updated: 24 Jul 2026 at 07:37 UTC

Movie Reviews by Tomris Laffly - Page 13 of 23

241-260 of 460 Reviews

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Review of Halston (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 23 May 2019

Compared to the inherent compactness of “Dior and I” that crystallizes Dior’s collective craft and process under its new creative director…

Review of A Dog's Journey (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 16 May 2019

As visually uninspired and ideologically conservative as it may be, there seems to be something beguiling about the series that keeps one (including…

Review of XY Chelsea (2019)

By Tomris Laffly (460) for Variety (12,700) on 08 May 2019

While it’s hardly Hawkins’ error that his documentary feels unfinished — the self-defined activist’s dramatic saga is still unfolding…

Review of Come to Daddy (2019)

By Tomris Laffly (460) for Variety (12,700) on 01 May 2019

Moderately funny and strangely dated…

Review of Knock Down the House (2019)

By Tomris Laffly (460) for TheWrap (3,203) on 30 Apr 2019

Not unlike the candidates it portrays, Knock Down The House puts in the necessary work towards a payoff that earns both cheers and tears…

Review of Her Smell (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 11 Apr 2019

Don’t expect to go into writer/director Alex Ross Perry’s sixth feature Her Smell, a suffocating plunge into a female musician’s deteriorating…

Review of Missing Link (2019)

By Tomris Laffly (460) for Time Out (7,510) on 10 Apr 2019

This vintage tale of camaraderie flaunts an old-fashioned innocence and some endearing defiance, exemplified by its sweet original song “Do-Dilly-Do…

Review of Hotel Mumbai (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Mar 2019

I must admit: this skilled, historical action film was one of the toughest, most disquieting sits I can remember in a while — tougher than…

Review of The Mustang (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Mar 2019

The Mustang becomes an emotional powerhouse in its final act…

Review of Cold Pursuit (2019)

By Tomris Laffly (460) for Time Out (7,510) on 14 Feb 2019

More troubling is Neeson’s baffling disappearance for long stretches of time, when screenwriter Frank Baldwin gets too enamored with the…

Review of Happy Death Day 2U (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Feb 2019

If you can fend off the recurring bores of Happy Death Day 2U, Landon and Lobdell have some chuckles reserved up their sleeves…

Review of Late Night (2019)

By Tomris Laffly (460) for Time Out (7,510) on 03 Feb 2019

The most radical observation Late Night makes concerns the extreme maleness of showbiz that turns women into rivals…

Review of Honey Boy (2019)

By Tomris Laffly (460) for Time Out (7,510) on 03 Feb 2019

Taking on tricky subject matter with gravity and depth, Honey Boy can’t be dismissed as yet another LaBeouf caper…

Review of Brittany Runs a Marathon (2019)

By Tomris Laffly (460) for Time Out (7,510) on 03 Feb 2019

Colaizzo successfully walks a fine line between inspiration and caution, never presenting Brittany as a patronizing role model for weight loss,…

Review of The Farewell (2019)

By Tomris Laffly (460) for Time Out (7,510) on 03 Feb 2019

Delightfully embracing the specificity of Eastern culture, The Farewell reflects on collective considerations versus individualism, not unlike…

Review of Luce (2019)

By Tomris Laffly (460) for TheWrap (3,203) on 01 Feb 2019

The suspense is perhaps a tad elongated, and the film’s risky, ambiguous handling of a #MeToo case is dangerously open to misinterpretation…

Review of The Boy Who Harnessed the Wind (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Jan 2019

Ejiofor’s movie eloquently harnesses all these customary elements and yields them into an irresistible family film that plays like a brand-new…

Review of An Acceptable Loss (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 18 Jan 2019

While Chappelle neatly outlines the tragic events caused by his spiritually bruised protagonist, it’s hard to stay engaged with his philosophical…

Review of A Dog's Way Home (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 11 Jan 2019

This may all sound too shameless and syrupy, but to its credit, A Dog’s Way Home scratches the surface of something I, as a pit bull obsessive,…

Review of On the Basis of Sex (2018)

By Tomris Laffly (460) for Time Out (7,510) on 21 Dec 2018

Well-paced and directed with gusto, On the Basis of Sex finds an accessible, near-perfect tone, balancing serious courtroom drama and frequent…

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