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Last updated: 26 Jul 2026 at 15:47 UTC

Movie Reviews by Tim Grierson - Page 5 of 75

81-100 of 1,482 Reviews

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Review of Women Talking (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

Women Talking is a challenging work that requires a little patience from the audience, which is rewarded with a troubling, provocative story…

Review of My Policeman (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

This adaptation of Bethan Roberts’ novel is full of repressed emotions and the occasional tearful recrimination, but the stateliness of the…

Review of See How They Run (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Sep 2022

For all its showy, whirring machinations, the film isn’t especially light on its feet — and its murder mystery isn’t very engrossing…

Review of Catherine Called Birdy (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 11 Sep 2022

Neither a broad farce nor a scathing evisceration of sexism (both then and now), Catherine Called Birdy ends up trapped in a dissatisfying…

Review of The Fabelmans (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 11 Sep 2022

Semi-autobiographical and dedicated to his late mom and dad, the film is a potent memory piece guided by remarkable performances from Michelle…

Review of The Woman King (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

The Woman King doesn’t always successfully juggle its myriad narrative ambitions, but director Gina Prince-Bythewood has crafted battle sequences…

Review of Weird: The Al Yankovic Story (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

Unlike Yankovic’s best songs, Weird’s inspired goofiness eventually runs out of gas, growing more and more outrageous without coming up…

Review of Bros (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

A winning romantic comedy about two men whose emotional intimacy issues may jeopardise the good thing they’ve got going, Bros is frequently…

Review of Barbarian (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Dancing across multiple themes and frequently upending expectations, Barbarian keeps us wonderfully uncertain about where it’s going —…

Review of The Inspection (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Bratton’s depth of feeling elevates the material, suggesting that, for the filmmaker, there’s something intensely cathartic and therapeutic…

Review of Pinocchio (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Sep 2022

Trying to recapture the magic of the 1940 animated classic, Robert Zemeckis’ live-action Pinocchio is a wooden, laboured affair…

Review of Pinocchio (2024)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Sep 2022

Trying to recapture the magic of the 1940 animated classic, Robert Zemeckis’ live-action Pinocchio is a wooden, laboured affair…

Review of Don't Worry Darling (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Sep 2022

Crafted with style, and led by Florence Pugh’s redoubtable performance as a picture-perfect housewife who learns a horrifying truth, this…

Review of Athena (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 Sep 2022

Wielding an ambitious visual strategy and volatile political commentary, Athena explodes but then fizzles, its often arresting images slowly…

Review of TÁR (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Sep 2022

TÁR’s engrossing spell starts to dissipate over its final third, and yet this is that rare film about a creative person that feels neither…

Review of Riotsville, USA (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 30 Aug 2022

Although Sierra Pettengill’s film will perhaps be most notable for its inclusion of startling scenes from Riotsvilles, model towns built…

Review of Thirteen Lives (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Aug 2022

Howard honours the collective heroism above all else, resulting in a well-crafted procedural that’s a little impersonal…

Review of Prey (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Aug 2022

Director Dan Trachtenberg delivers gripping suspense sequences, complete with agreeably gruesome kills, which juxtapose the landscape’s rugged…

Review of Prey (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Aug 2022

Director Dan Trachtenberg delivers gripping suspense sequences, complete with agreeably gruesome kills, which juxtapose the landscape’s rugged…

Review of The Swallows of Kabul (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Aug 2022

This tale of repression and injustice is potent enough to overcome the inevitable distancing that occurs because of the animation process…

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