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Last updated: 26 Jul 2026 at 14:46 UTC

Movie Reviews by Tim Grierson - Page 4 of 75

61-80 of 1,482 Reviews

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Review of Poker Face (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Nov 2022

Poker Face ends up being a cautionary tale about appreciating what you have — ironic since this thriller doesn’t have a sufficient grip…

Review of Strange World (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 21 Nov 2022

What gives Strange World some forward momentum, however, is the clear affection the filmmakers have for their characters — and that they…

Review of Strange World (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 21 Nov 2022

What gives Strange World some forward momentum, however, is the clear affection the filmmakers have for their characters — and that they…

Review of Spirited (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Nov 2022

More often than not, the stirring tunes and the genuineness of the proceedings help paper over Spirited’s rough spots…

Review of Spirited (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Nov 2022

More often than not, the stirring tunes and the genuineness of the proceedings help paper over Spirited’s rough spots…

Review of Black Panther: Wakanda Forever (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Nov 2022

Coogler frequently harnesses these tragic circumstances for a rousing, politically pointed spectacle, which also touches on xenophobia and…

Review of Eternal Spring (長春) (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Nov 2022

Featuring vivid animation inspired by Daxiong’s drawings, the film is somber and hushed, able to stir emotions without resorting to manipulative…

Review of The Estate (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 04 Nov 2022

Writer-director Dean Craig gathers a winning ensemble for his dark comedy and, intermittently, the characters’ rank awfulness is a joy to…

Review of Louis Armstrong's Black & Blues (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Oct 2022

Built around excerpts from Armstrong’s home audio recordings, which he made in private over the decades, the documentary is far from exhaustive…

Review of The School for Good and Evil (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 20 Oct 2022

Despite a few touching scenes in which Sophie and Agatha reassert their bond amidst handsome suiters and devious spells, Good And Evil ends…

Review of Black Adam (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Oct 2022

The latest instalment in the DC Extended Universe too often succumbs to the conventions of its genre — it’s a film suffused with hokey…

Review of Halloween Ends (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Oct 2022

Jamie Lee Curtis brings a regal bearing to her performance, but the prevailing feeling is of a cinematic series that’s probably best left for dead…

Review of Till (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Oct 2022

Following up her Sundance prizewinner Clemency, director Chinonye Chukwu brings intelligence, sorrow and rage to what eventually becomes a…

Review of Till (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Oct 2022

Following up her Sundance prizewinner Clemency, director Chinonye Chukwu brings intelligence, sorrow and rage to what eventually becomes a…

Review of Amsterdam (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Sep 2022

Although stuffed with ambition and the occasionally arresting moment, this 1930s mystery flaunts a freewheeling spirit that far outpaces its…

Review of Dalíland (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Sep 2022

Daliland dials up the actorly pyrotechnics, but it’s all spectacle without insight, failing to lay a foundation for why this long-running…

Review of Good Night Oppy (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 17 Sep 2022

Despite the film’s slightness and unexplored themes, White caters to our shared wonder about the solar system and our penchant to seek connection…

Review of The Silent Twins (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 14 Sep 2022

The director of The Lure has a knack for peculiar protagonists — not to mention mixing whimsy with darker textures — but her latest provocation…

Review of Wendell & Wild (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 14 Sep 2022

Although the film’s different realms are all imaginatively designed — as are the looks of the characters themselves — Wendell & Wild…

Review of The Greatest Beer Run Ever (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 14 Sep 2022

Feels manipulative and glib ... Farrelly’s tendency toward simplistic bromides in Green Book is even more egregious here…

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