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Last updated: 29 Jul 2026 at 19:09 UTC

Movie Reviews by Tim Grierson - Page 25 of 75

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Review of Mission: Impossible - Fallout (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 11 Jul 2018

The sixth film in the series is among the most outstanding, delivering a near-exhausting amount of stupendous action sequences paired with…

Review of Skyscraper (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 09 Jul 2018

Anyone expecting a shred of originality from this Dwayne Johnson vehicle will be disappointed, but writer-director Rawson Marshall Thurber…

Review of Ant-Man and the Wasp (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 26 Jun 2018

Paul Rudd and his equally likeable cast mates find the heart and humour in familiar comic-book theatrics, resulting in a film which is less…

Review of Wildlife (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 21 Jun 2018

As a director, Dano prefers static camera setups and uncluttered frames, emphasising the mundane nature of the drama, which only allows the…

Review of Sicario: Day of the Soldado (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 19 Jun 2018

No matter how commanding Benicio Del Toro and Josh Brolin might be, Soldado is a less inspired or thoughtful redo of its predecessor, jettisoning…

Review of Tag (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 13 Jun 2018

Tag is all strained sentimentality and obvious observations about men’s inability to leave childish things behind…

Review of Incredibles 2 (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 10 Jun 2018

If there’s one quibble with this nimble entertainment, it’s that Bird’s eye-popping flair outpaces his story’s emotional resonance…

Review of Jurassic World: Fallen Kingdom (2018)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 06 Jun 2018

Too often, Fallen Kingdom has all the soul and grace of a well-prepared business proposal—you can sense all the money being invested into…

Review of Ocean's Eight (2018)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 06 Jun 2018

Ocean’s 8 feels a bit like a high-end knockoff in that way that lots of spinoff films can, although the compensation is the familiar delights…

Review of Hotel Artemis (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 05 Jun 2018

Like many movies set in colourfully bleak futures, Hotel Artemis can’t sustain the novelty of its initial world-building…

Review of Adrift (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 30 May 2018

Director Baltasar Kormákur makes good use of location filming on the open waters, giving this melodramatic tale a dose of realism, but this…

Review of Papillon (2017)

By Tim Grierson (1,482) for Screen Daily (1,021) on 22 May 2018

The remake of Papillon doesn’t lack for potential metaphorical riches, yet this brutal, bruising film never quite connects with its deeper…

Review of Burning (2018)

By Tim Grierson (1,482) for Screen Daily (1,021) on 17 May 2018

Once again, Lee has crafted a film of wondrous complexity and inscrutability…

Review of Burning (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 16 May 2018

Once again, Lee has crafted a film of wondrous complexity and inscrutability…

Review of The House That Jack Built (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 May 2018

Wielding the same grim power as his most obsessive, tormented work, Jack is deeply embedded within its creator’s psyche, and while the results…

Review of Whitney (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 May 2018

Whitney is strongest when it connects Houston to the larger history of Black America, illustrating how this glamorous performer grew up in…

Review of Under the Silver Lake (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 May 2018

If the destination ultimately proves a little less satisfying than the trip, Mitchell and his collaborators fill us with so many moody reveries…

Review of BlacKkKlansman (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 14 May 2018

It’s no surprise that director Spike Lee prefers a hammer to a scalpel for this real-life drama, but his righteous fury is supplemented with…

Review of Pope Francis: A Man of His Word (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 12 May 2018

More a gloss than an insightful dissection, this documentary frustrates by sticking to the man’s surface, reducing his words to commendable…

Review of Mandy (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 11 May 2018

A sensuous swath of striking imagery and otherworldly atmosphere, Mandy is a hypnotic, bloody pleasure…

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