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Last updated: 29 Jul 2026 at 10:20 UTC

Movie Reviews by Tim Grierson - Page 24 of 75

461-480 of 1,482 Reviews

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Review of Boy Erased (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Sep 2018

Several emotionally attuned performances help paper over Boy Erased’s storytelling weaknesses…

Review of The Predator (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Sep 2018

Tongue firmly in cheek and sporting a taste for blood, The Predator has some nasty down-and-dirty pleasures, but director Shane Black can’t…

Review of White Boy Rick (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 07 Sep 2018

The new film from ’71 director Yann Demange is best when it pauses to explore the father-and-son drama at the heart of this tale, as well…

Review of Blaze (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 06 Sep 2018

Singer-songwriter Ben Dickey is affecting as Foley, assisted ably by a supporting cast that fights to transcend the drunken-angel clichés…

Review of 22 July (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 04 Sep 2018

As with his United 93 and Captain Phillips, filmmaker Paul Greengrass has taken a horrifying true story and brought sober perspective to it…

Review of The Sisters Brothers (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 01 Sep 2018

This is a Western which is rugged and raw, eschewing the genre’s mythmaking for something a little more off the beaten path…

Review of Suspiria (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 31 Aug 2018

Suffice to say, Suspiria tries to do much, culminating in a finale that’s almost laughably over-the-top…

Review of The Ballad of Buster Scruggs (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 30 Aug 2018

Ballad doesn’t reinvent the Coens’ sardonic, measured aesthetic, but the anthology’s looser structure allows them a friskiness that is…

Review of Kin (2018)

By Tim Grierson (1,482) for Screen Daily (1,021) on 28 Aug 2018

Kin never feels like more than uninspired borrowings from other, better genre films; it’s a story about family without any heart…

Review of Steve Martin and Martin Short: An Evening You Will Forget for the Rest of Your Life (2018)

By Tim Grierson (1,482) for Rolling Stone (4,035) on 23 Aug 2018

The 72-minute special boasts an off-the-cuff nonchalance that emphasizes coziness over bite…

Review of Makala (2017)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 22 Aug 2018

Makala depicts a harsh reality, but its unexpected beauty comes from the nonchalance of its portrayal…

Review of The Happytime Murders (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 21 Aug 2018

While the actors and puppeteers are committed to The Happytime Murders’ surreal reality, they almost do too good a job: This world’s authenticity…

Review of Crazy Rich Asians (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 Aug 2018

To be sure, there are meaningful observations here about the ways that money warps relationships and how children struggle with their heritage…

Review of Mile 22 (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 15 Aug 2018

The adrenaline never stops pumping in Mile 22, a superficially kinetic thriller that simultaneously attempts to be politically savvy and an…

Review of The Meg (2018)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 08 Aug 2018

More giggle-inducing than terrifying, The Meg throws enough incidents at you that it simulates the feeling of being entertaining…

Review of The Spy Gone North (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 08 Aug 2018

A film about stellar spycraft that’s been made with comparable steely intelligence, The Spy Gone North (Gongjak) boasts little action but…

Review of Christopher Robin (2018)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 02 Aug 2018

Very rarely do you get the sense that anyone involved in Christopher Robin had a really strong take on the material or an innate understanding…

Review of The Darkest Minds (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 30 Jul 2018

Rising star Amandla Stenberg has a few affecting moments as one of the few teen survivors of a mysterious pandemic, but director Jennifer Yuh…

Review of The Equalizer 2 (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 17 Jul 2018

For a spell, this sequel to the 2014 hit intrigues because of its insistence on taking time to establish melancholy themes and thoughtful tone…

Review of Scotty and the Secret History of Hollywood (2018)

By Tim Grierson (1,482) for Screen International (2,241) on 17 Jul 2018

Tyrnauer smartly dissects how stifling the era’s sexual politics were — and his affectionate portrait of Bowers sneaks in some balance…

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