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Teo Bugbee

Last updated: 04 Jun 2026 at 05:15 UTC

Movie Reviews by Teo Bugbee - Page 7 of 10

121-140 of 199 Reviews

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Review of The Art of Racing in the Rain (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 08 Aug 2019

Enzo is a bad dog, and his antics play worse for the film’s lack of discipline…

Review of Ladyworld (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 01 Aug 2019

Kramer choreographs action through striking tableaus that follow the group’s shifting dynamics; the score, built from percussion and a chorus…

Review of For Sama (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 25 Jul 2019

The activists of this film, including al-Kateab herself, don’t speak in the language of philosophers or politicians…

Review of Bottom of the 9th (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 18 Jul 2019

The result is pleasing — a stadium snow cone, palatable despite being sweetened with corn syrup…

Review of Being Frank (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 13 Jun 2019

It’s a period movie with little style and a family flick wholly lacking in charm or warmth…

Review of Papi Chulo (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 05 Jun 2019

Papi Chulo tries to subvert the conceit that casts brown people as uncomplicated support systems for conflicted white people, but lacks the…

Review of Aniara (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 15 May 2019

Kagerman and Lilja thoughtfully constructed their film, yet they leave nothing for the mind to do besides consume unrelenting tragedy…

Review of El Chicano (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 01 May 2019

The director Ben Hernandez Bray began his career in Hollywood as a stuntman, and though too many bones are crunched to describe this film as…

Review of I Trapped the Devil (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 25 Apr 2019

By seesawing between bland normalcy and hellishness, Lobo denies his audience the immersive horror that his film’s best images promise…

Review of Penguins (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 15 Apr 2019

[A] beautiful but frustratingly shallow Disneynature documentary…

Review of Storm Boy (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 04 Apr 2019

Storm Boy tries to present itself as a modern fable, where the lessons learned relate directly to present-day concerns over the environment,…

Review of Wonder Park (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 14 Mar 2019

Although its protagonist is blessed with a gift for engineering the impossible, Wonder Park is a film where faulty execution betrays a healthy…

Review of Giant Little Ones (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 28 Feb 2019

Where many coming-of-age films build their stories around the discovery of a fixed selfhood, “Giant Little Ones” succeeds when it chooses…

Review of The Hole in the Ground (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 28 Feb 2019

In a film where the central horror is the otherworldly absence of personality, the intended fear is undermined by the presence of a mother…

Review of Clara's Ghost (2018)

By Teo Bugbee (199) for The New York Times (9,847) on 13 Feb 2019

As is perhaps appropriate, given the comic occupations of the Reynolds (and the Elliott) family, this unusual, unsettling and terrific little…

Review of An Acceptable Loss (2019)

By Teo Bugbee (199) for The New York Times (9,847) on 17 Jan 2019

For a political thriller to come up with a scheme that feels genuinely rousing, An Acceptable Loss would need the two qualities it most severely…

Review of State Like Sleep (2019)

By Teo Bugbee (199) for New York Times (5,786) on 03 Jan 2019

The images serve the dialogue, but they are not given a chance to expand the story, depriving the movie of texture and energy…

Review of Swimming with Men (2018)

By Teo Bugbee (199) for The New York Times (9,847) on 06 Dec 2018

Although the film has no grand cinematic ambitions, its unsensationalized focus on these aging bodies invites welcome kindness…

Review of The Possession of Hannah Grace (2018)

By Teo Bugbee (199) for The New York Times (9,847) on 29 Nov 2018

Van Rooijen’s overreliance on herky-jerky jump scares is a pity, because the movie that exists in the silence is surprisingly satisfying…

Review of United Skates (2018)

By Teo Bugbee (199) for New York Times (5,786) on 29 Nov 2018

This is a passion project in the best sense of the word, a movie in which the ingenuity and dedication of the filmmakers illuminate the same…

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