Review of Ladyworld (2019) by Teo Bugbee for The New York Times — 01 Aug 2019
Kramer choreographs action through striking tableaus that follow the group’s shifting dynamics; the score, built from percussion and a chorus of girlish hoots, builds the tension.
You can read the full review where it was originally posted online.
This review of Ladyworld (2019) was written by Teo Bugbee and published by The New York Times on 01 Aug 2019.
Ladyworld has generally received mixed reviews.
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