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Simran Hans

Last updated: 13 Jun 2026 at 19:10 UTC

Movie Reviews by Simran Hans - Page 16 of 21

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Review of Walk with Me (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 07 Jan 2018

If you aren't into new-ageiness, its meditative pacing, preachy voiceover and closeups of shiny, hard-shelled ladybirds might grate, though…

Review of Brad's Status (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 07 Jan 2018

Don't be put off by the banal title; School of Rock screenwriter Mike White's introspective cringe comedy drily harnesses the baby-boomer anxieties…

Review of The Work (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 28 Dec 2017

Sceptics may enter Folsom with suspicion, but these are extraordinary scenes, so shocking and dynamic they might be mistaken for exorcisms…

Review of The Unseen (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 17 Dec 2017

The film lurches into conventional horror-thriller territory as it progresses, though there are interesting moments…

Review of The Unseen (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 17 Dec 2017

The film lurches into conventional horror-thriller territory as it progresses, though there are interesting moments…

Review of Love Is Thicker Than Water (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 03 Dec 2017

I'm not one to bat away an attempt to revive a genre that was once a stalwart of the British film industry, but ultimately, the stakes of their…

Review of Happy End (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 03 Dec 2017

Michael Haneke's new film gleams with cold gallows humour…

Review of Wonder (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 03 Dec 2017

It's a little mawkish, but Chbosky, a YA institution himself, has a gift for understanding young people and the nuances of their relationships…

Review of The Man Who Invented Christmas (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 03 Dec 2017

There are a few bright spots, like Christopher Plummer's Scrooge, but with its too-bright visuals and laboured dialogue, at best, the film…

Review of Mudbound (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Nov 2017

The shifting voices help to create interiority without relying on inelegant exposition, and allow Rees to refract broad themes like love, war,…

Review of Justice League (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Nov 2017

Ribbing wisecracks, courtesy of co-writer Joss Whedon, jar with director Zack Snyder's oppressive, dour approach to the source material…

Review of Ingrid Goes West (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Nov 2017

The film is very sharp on how young women use social media as self-actualisation, to create intimacy, and to bolster feelings of connection,…

Review of Film Stars Don't Die in Liverpool (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Nov 2017

An overwrought score pushes the film into the territory of melodrama, but mostly it works, with tender performances from the two leads…

Review of Trophy (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Nov 2017

The film gives voice to the commercial case for breeding and hunting, which feels at odds with the emotive way these kills are positioned…

Review of A Bad Moms Christmas (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 05 Nov 2017

Why can't my husband buy his own mom a Christmas present? is this sweet sequel's thesis statement…

Review of Murder on the Orient Express (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 05 Nov 2017

It's classic Branagh: sweeping landscapes, thundering score, capital-A Acting, and, excitingly - at least for format nerds like me - it's shot…

Review of Thelma (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 05 Nov 2017

The teenage traps of repression and loneliness are explored here through genre - the spooky-movie sweet spot where body horror meets erotic thriller…

Review of My Little Pony: The Movie (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Oct 2017

At the chewy, candy core of this assaulting, shrill, Skittles-hued headache is a well-meaning treatise on solidarity and female friendship…

Review of Unrest (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Oct 2017

[A] bracingly inventive and moving documentary…

Review of Dina (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Oct 2017

Sickles and Santini excel at constructing a respectful (but never cold or clinical) distance from their subject, using long takes to let her…

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