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Simran Hans

Last updated: 13 Jun 2026 at 20:34 UTC

Movie Reviews by Simran Hans - Page 15 of 21

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Review of Isle of Dogs (2018)

By Simran Hans (401) for MUBI (191) on 23 Mar 2018

The meticulously detailed wasteland that Anderson has created is rendered with his typical craft and care; from its rippling glittery seas…

Review of Gook (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 18 Mar 2018

In rooftop conversations, an impressionistic dance sequence that takes place in a parking lot and a devastating conclusion that teeters on…

Review of Peter Rabbit (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 18 Mar 2018

Beatrix Potter's children's books may have been out of copyright since 2014, but that's no excuse for this manure-scented take on her best-known tale…

Review of Mary Magdalene (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 18 Mar 2018

A tasteful RE lesson that rushes to paint Mary's inner strength and moral goodness, but forgets to shade in the contours of her characterisation…

Review of Mom and Dad (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Mar 2018

Almost ugly ultra-HD, a dated dubstep soundtrack and ketchup-splatter special effects might make a lesser film less appealing, but here these…

Review of Game Night (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Mar 2018

This surprisingly zingy, throwback studio comedy is witty and observant on the dynamics between couples…

Review of The Nile Hilton Incident (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Mar 2018

With his prominent, avian nose and inquisitive eyes, Fares is a compelling screen presence, while Salehh's attention to details of life in…

Review of Red Sparrow (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Mar 2018

The tone is relentlessly bleak, and for all its depraved sexuality the film's gaze is more drooling teenage boy than genuinely adult or erotic…

Review of Grass (2018)

By Simran Hans (401) for Sight and Sound (827) on 26 Feb 2018

An exquisite hangout movie whose probing, sardonic approach to character and conversation treads familiar terrain for the increasingly prolific…

Review of Don't Worry, He Won't Get Far on Foot (2018)

By Simran Hans (401) for Sight and Sound (827) on 23 Feb 2018

Non-linearity is used to mirror the backsliding volatility of Callahan's recovery, but it's a gimmick that only feigns narrative unpredictability…

Review of Lady Bird (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Feb 2018

Its joyful, forward-rushing narrative rhythm captures the feeling of adolescence ending before it has barely begun…

Review of Fifty Shades Freed (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 19 Feb 2018

This repetitive, glassy-eyed finale feels more like a weak victory lap, offering little pleasure but plenty of lifestyle porn (not to mention…

Review of Journey's End (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Feb 2018

Sam Claflin is particularly good as the boozy, brooding Captain Stanhope, whose intensity, belligerence and self-loathing flesh out what might…

Review of Makala (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Feb 2018

This immersive, slow-burning documentary about a Congolese charcoal maker finds poetry in the punishing, monotonous graft of one man's trade…

Review of Lies We Tell (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Feb 2018

The film is hindered by clunky dialogue and strained performances from minor characters…

Review of Roman J. Israel, Esq. (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 04 Feb 2018

We don't learn very much about Israel's relationships or motivations from the screenplay, but it's fascinating to watch Washington's display…

Review of The Commuter (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Jan 2018

It's hard not to derive some pleasure from watching Neeson fling himself about a rickety commuter train (and, in one set piece, precariously…

Review of The Final Year (2018)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Jan 2018

It's chilling to witness Obama's cool intelligence and statesmanlike composure, given the knowledge of who will come to replace him…

Review of Coco (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 21 Jan 2018

Pixar's latest project is a glittering return to non-franchise form after 2015's lacklustre The Good Dinosaur…

Review of All the Money in the World (2017)

By Simran Hans (401) for Observer (UK) (2,398) on 07 Jan 2018

It doesn't make for particularly thrilling viewing until the film's final third, which sees the kidnappers beginning to get as annoyed as the…

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