Movie Reviews by Sheila O'malley - Page 3 of 24

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Review of Spin Me Round (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 19 Aug 2022

Baena is obviously having fun presenting the familiar tropes and then subverting them, but these pieces don't really fit together, nor do they…

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Review of Emily the Criminal (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 12 Aug 2022

This is John Patton Ford's directorial debut, and it is an extremely impressive piece of work…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Résurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of How to Please a Woman (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Jul 2022

There's a little Magic Mike XXL in the mix of How to Please a Woman, with its merry band of eager-to-please strippers, although How to Please…

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Review of She Will (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Jul 2022

She Will isn't exactly a horror movie…

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Review of Both Sides of the Blade (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Jul 2022

Both Sides of the Blade is a romance, a love triangle, a marriage drama, an infidelity narrative, all familiar ground, but Denis' approach is her own…

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Review of Good Luck to You, Leo Grande (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Jun 2022

Everything depends on the feel of the moment, the way the actors look at each other, or listen, or react…

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Review of Watcher (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Jun 2022

This is a stylized affair, and the care taken with every choice—the apartment interior, the furnishings, the color of the curtains, Julia's…

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Review of Dinner in America (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 May 2022

Dinner in America, written, directed, and edited by Adam Rehmeier, is a movie with anti-establishment anti-social quicksilver coursing through…

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Review of The Valet (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 20 May 2022

The film resonates with deeper messages: the damage done by gentrification, the abyss between the haves and the have-nots, the poor treatment…

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Review of Dual (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Apr 2022

Even with the excellent central performance by Karen Gillan, playing a dual role—herself and her own copy—Dual makes for a strangely tepid…

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Review of The Bubble (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Apr 2022

The film is best in its embrace of the random, its moments when the talented and funny cast goof off with each other, responding to one another's…

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Review of You Are Not My Mother (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 24 Mar 2022

The final sequences are the only stock moments in this very specific family drama, and something about the last scene left me cold…

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Review of Huda's Salon (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Mar 2022

Huda's Salon does not stop for one second to take a breath, and the subjects revealed have enormous and urgent philosophical reverb…

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Review of Cyrano (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Feb 2022

Cyrano gets the big things right, and Dinklage embodies it all…

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Review of Catch the Fair One (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 Feb 2022

Catch the Fair One is a revenge-thriller, and a satisfying one, since the evil on display is so total. However, the satisfaction is hollow…

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