Movie Reviews by Sheila O'malley - Page 2 of 24

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Review of When You Finish Saving the World (2023)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 20 Jan 2023

When You Finish Saving the World floats uncertainly on the edge of satire. This is a big problem. Satire can't be uncertain…

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Review of Turn Every Page - The Adventures of Robert Caro and Robert Gottlieb (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Jan 2023

Gottlieb (the director) uses a very light touch throughout. This is a family affair…

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Review of Women Talking (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Jan 2023

Sarah Polley's trust in the material—and her actors—allows for the performances to flourish, and the performances drive the story along…

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Review of Retrograde (2023)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Dec 2022

Retrograde is about many things, but it's really about the faces…

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Review of Retrograde (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Dec 2022

Retrograde is about many things, but it's really about the faces…

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Review of The Eternal Daughter (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Dec 2022

The Eternal Daughter feels like a first draft, or a sketch to be filled in later…

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Review of Lady Chatterley's Lover (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 23 Nov 2022

You feel you are running alongside the characters, trying to catch up with them on their journeys forward…

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Review of I'm Totally Fine (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Nov 2022

Brandon Dermer's I'm Totally Fine is a funny and charming movie, with two entertaining performances from Jillian Bell and Natalie Morales at…

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Review of Something in the Dirt (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Nov 2022

Something in the Dirt has the gritty DIY-vibe of the no-budget world from which it sprang, and is both thought-provoking and crazy-making,…

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Review of Call Jane (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Oct 2022

Call Jane is about an important subject, but it's also a character study of one woman waking up, not just to her own strength, but to the fact…

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Review of Aftersun (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Oct 2022

Consciousness operates on multiple tracks and Aftersun understands this…

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Review of Aftersun (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Oct 2022

Consciousness operates on multiple tracks and Aftersun understands this…

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Review of The Loneliest Boy in the World (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 14 Oct 2022

Not enough happens in The Loneliest Boy in the World. There's not enough conflict…

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Review of Sirens (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Sep 2022

Baghadi and lead editor Grace Zahrah piece together the footage into a collage of yearning, ambition, and what can only be called gumption…

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Review of Sirens (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Sep 2022

Baghadi and lead editor Grace Zahrah piece together the footage into a collage of yearning, ambition, and what can only be called gumption…

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Review of True Things (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Sep 2022

For those of you who miss films made by adults and for adults, films which treat things like sex and loneliness with respect and honesty, True…

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Review of We Are As Gods (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 06 Sep 2022

We Are as Gods works best as a history lesson as seen through one man's journey: from Haight-Ashbury bacchanals to early computer labs to the…

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Review of The Cathedral (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Sep 2022

The Cathedral marries form to content in a striking way…

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Review of The Cathedral (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Sep 2022

The Cathedral marries form to content in a striking way…

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Review of Funny Pages (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 26 Aug 2022

This is Owen Kline's first feature, and he knows this world—the world of comic book obsessives and hopeful comics artists—very well…

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