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Last updated: 14 Jun 2026 at 06:17 UTC

Movie Reviews by Sheila O'malley - Page 14 of 24

261-280 of 474 Reviews

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Review of Birthright: A War Story (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Jul 2017

One of the things that Tamarkin does very well is present the historical context for the present political reality…

Review of Austin Found (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 06 Jul 2017

Austin Found features a great ensemble cast, but never manages to explore unique territory…

Review of The Little Hours (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 29 Jun 2017

A riotous medieval-era sex romp played with lunatic conviction by a great cast…

Review of The Beguiled (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Jun 2017

Gorgeously shot by Philippe Le Sourd (in his first collaboration with Coppola), The Beguiled lingers on its images, allows us time to settle…

Review of The Journey (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Jun 2017

The final exchange between Paisley and McGuinness, when they shake hands, is the best, but by then it's far too late…

Review of Megan Leavey (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Jun 2017

Megan Leavey is that rare breed: a war movie that actually shows something new about war, a sub-culture within a familiar sub-culture, the…

Review of Band Aid (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Jun 2017

Lister-Jones is the very definition of a phenom, and if the film sometimes falls back on cliché, there's enough charm and interest here —…

Review of Wakefield (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 18 May 2017

Even though half of her screen time consists of her being seen but not heard, Garner has a consistent crispness; her character is simultaneously…

Review of Manifesto (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 May 2017

The film is thought-provoking, visually arresting, and occasionally very self-important…

Review of The Wedding Plan (2016)

By Sheila O'malley (474) for Film Comment Magazine (842) on 08 May 2017

The Wedding Plan, with its beautiful flow between comedy and sentiment, celebrates the pursuit of love, its absurdity, intensity, and power…

Review of Chuck (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 May 2017

Chuck ultimately works, mainly because Schreiber is so watchable…

Review of Take Me (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 May 2017

What it really is is a screwball comedy with a black-hearted center, an energy extremely difficult to capture and maintain, but Healy—as…

Review of Small Crimes (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 Apr 2017

Small Crimes works in part but is strangely murky in others. There's a lot of dead air…

Review of Win It All (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 06 Apr 2017

Knowing how it all ends is the main problem with a lot of gambling movies, and Win It All is no exception…

Review of The Discovery (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Mar 2017

The entire thing feels like it's happening underwater, sound distorted, movements impeded. A lot happens, but without any urgency inspiring it…

Review of The Zookeeper's Wife (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Mar 2017

As Antonina, though, Chastain seems bound up as an actress, held back in creating a character mainly by the demands of doing a Polish accent…

Review of This Beautiful Fantastic (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Mar 2017

This Beautiful Fantastic is not meant to be realistic. It's supposed to be a fairy tale…

Review of Catfight (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Mar 2017

Tukel takes that tired cliché and blows it to smithereens. Let's hear it for unvarnished hatred expressed with no holds barred…

Review of Kiki (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Mar 2017

With music by Qween Beat, Kiki shows the new generation of the ballroom scene, their care for one another, their awareness of the struggles…

Review of American Fable (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Feb 2017

American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style, its confidence…

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