Cinafilm has over 5 million movie reviews and counting …

About Us
Contact Us
Sitemap
Follow us onCinafilm - Twitter Cinafilm - Pinterest

Last updated: 14 Jun 2026 at 05:03 UTC

Movie Reviews by Sheila O'malley - Page 13 of 24

241-260 of 474 Reviews

Sort by:

Review of Lady Bird (2017)

By Sheila O'malley (474) for Film Comment Magazine (842) on 03 Nov 2017

[Gerwig's] first solo flight as a director and writer is beautifully confident in its rhythm and mood, the script whip-sawing from humor to…

Review of Princess Cyd (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Nov 2017

There are conflicts in Princess Cyd, but they're on a low boil…

Review of The Light of the Moon (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 01 Nov 2017

A nuanced and sensitive exploration of the many ways rape affects a person's life…

Review of Maya Dardel (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 26 Oct 2017

Where Maya Dardel really works is when it sticks to being a character study…

Review of Thy Father's Chair (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 12 Oct 2017

[A] gentle and emotionally stressful documentary…

Review of Dina (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 05 Oct 2017

The film doesn't feel or look like a documentary…

Review of Barracuda (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 05 Oct 2017

Even though other characters appear from time to time, Barracuda is a two-hander, with one extraordinary scene after another (the script was…

Review of Super Dark Times (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Sep 2017

Super Dark Times has a deeply unnerving mood, more unnerving than what happens…

Review of Bobbi Jene (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Sep 2017

It doesn't know what it wants to be, or what story it wants to tell…

Review of Rat Film (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 14 Sep 2017

Rat Film is an odd and captivating experience, and its fluid style is its most distinguishing characteristic…

Review of Strong Island (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 14 Sep 2017

It is that very lack of objectivity that makes Strong Island the experience that it is. It is a very tough film to shake…

Review of School Life (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 08 Sep 2017

It is a celebration of these two eccentric and devoted teachers (and, by extension, teachers everywhere)…

Review of A Boy Called Po (2016)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 31 Aug 2017

The script tries to do way too much, but the film also moved me quite deeply a couple of times, mostly in the scenes between father and son…

Review of Beach Rats (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 24 Aug 2017

Hittman's devotion to the male bodies onscreen is obsessive. Most good filmmakers, and most good artists, are obsessives…

Review of Lemon (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Aug 2017

There's a flatness in the end-result. The quirky is utterly predictable…

Review of Ingrid Goes West (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Aug 2017

The film is very smart, most of all because it resists the urge to devolve into a sentimental redemption narrative…

Review of Columbus (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Aug 2017

Watching the film is almost like feeling the muscles in your eyes shift, as you look up from reading a book to stare out at the ocean…

Review of The Incredible Jessica James (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 Jul 2017

In 1966, film critic Pauline Kael reviewed Funny Girl, announcing: Barbra Streisand arrives on the screen, in 'Funny Girl', when the movies…

Review of To the Bone (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 14 Jul 2017

To the Bone isn't all that interested in the actual treatment of the condition, even though the majority of the film takes place in a treatment…

Review of To the Bone (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 13 Jul 2017

To the Bone isn't all that interested in the actual treatment of the condition, even though the majority of the film takes place in a treatment…

1
...
12
13
14
...
24

Page 13 of 24

Sheila O'malley has written reviews for:

Sheila O'malley is connected to:

Share This Page

Share

Tweet

Popular Movies Right Now

2014

67%866 Reviews

War for the Planet of the Apes

2017

78%1,656 Reviews

Alien: Covenant

2017

61%1,909 Reviews

Blade Runner 2049

2017

80%2,332 Reviews

Ghostbusters: Afterlife

2021

66%228 Reviews

2015

86%1,276 Reviews

2018

76%696 Reviews

2017

71%1,218 Reviews

2021

77%276 Reviews

2020

71%170 Reviews

Movies You Viewed Recently

The Special Need

2014

56%2 Reviews

Get social with CinafilmFollow us for reviews of the latest moviesCinafilm - Twitter Cinafilm - Pinterest Cinafilm - RSS

© 2026 Cinafilm Internet Productions

Prime Video logo is a trademark of Amazon.com, Inc. or its affiliates

Our website support team can be reached by email at [email protected], or by phoning +44 3300 431 396

Cinafilm IP, Office 12693, PO Box 15113, Birmingham, West Midlands, B2 2NJ, United Kingdom