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Last updated: 26 Oct 2026 at 17:33 UTC

Movie Reviews by Roxana Hadadi - Page 4 of 17

61-80 of 336 Reviews

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Review of Limbo (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 28 Apr 2021

The narrowness of the frame forces us closer to what is caught within it, and the result is often bracing or achingly tender…

Review of Mortal Kombat (2021)

By Roxana Hadadi (336) for Polygon (677) on 22 Apr 2021

That go-for-broke violence has always been a core component of Mortal Kombat, and this reboot succeeds because McQuoid and his team remember…

Review of Voyagers (2021)

By Roxana Hadadi (336) for Polygon (677) on 09 Apr 2021

Burger has crafted a shrug of a movie that insists teenagers should follow the rules and submit to the greater good, but fails to imagine what…

Review of Charli XCX: Alone Together (2022)

By Roxana Hadadi (336) for The Playlist (3,871) on 21 Mar 2021

As much as Charli is the star of this documentary, her fans are, too, and Alone Together manifests as both a wild ride and a soothing balm—as…

Review of The Inheritance (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Mar 2021

Asili experiments with cinematic form as he considers “inheritance” as legacy, heritage, and tradition, resulting in an engrossing, challenging…

Review of Sophie Jones (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 02 Mar 2021

Nearly every scene in Sophie Jones is either meditative or combative in some way, and Barr nails the flickering, shifting, visceral emotions…

Review of The United States vs. Billie Holiday (2021)

By Roxana Hadadi (336) for Polygon (677) on 26 Feb 2021

Billie Holiday’s skills as a talented singer, vibrant performer, and intuitive improviser never come first…

Review of The Map of Tiny Perfect Things (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Feb 2021

To the credit of The Map of Tiny Perfect Things, the film knows its pop-culture touchstones (Groundhog Day and Time Bandits) and acknowledges…

Review of The Wanting Mare (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 05 Feb 2021

The failure of The Wanting Mare is in how superficial its world building is, and how unexplored its greatest questions remain…

Review of The White Tiger (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 05 Jan 2021

Scene by scene, The White Tiger punctures the fantasy that a rich man could also be a nice man, and although the comedy here is pitch-black,…

Review of The Prom (2020)

By Roxana Hadadi (336) for Polygon (677) on 17 Dec 2020

The film’s ultimate admiration of celebrity is only vaguely tolerable because its concurrent message of inclusivity is theoretically admirable…

Review of Promising Young Woman (2020)

By Roxana Hadadi (336) for Polygon (677) on 17 Dec 2020

The brightly rendered details and Mulligan’s full-throated performance accessorize a film that ultimately might not be as groundbreaking…

Review of Funny Boy (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 10 Dec 2020

Funny Boy falters when trying to link together the personal and political, making for a well-intentioned film that never delivers much depth…

Review of Farewell Amor (2020)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 09 Dec 2020

The film’s final moments suggest a benign American domesticity that its preceding scenes purposefully interrogate…

Review of Freaky (2020)

By Roxana Hadadi (336) for Polygon (677) on 13 Nov 2020

Freaky boasts such energetic performances from the thoroughly game Kathryn Newton and Vince Vaughn that the horror-comedy breezes by in a pleasant,…

Review of The Mortuary Collection (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Nov 2020

Thoroughly grisly and mostly entertaining, “The Mortuary Collection” is a satisfying choice for the spooky season…

Review of Radium Girls (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 23 Oct 2020

Radium Girls is bogged down by a trite script, inconsistent character motivations, and an over-reliance on historical footage that has little…

Review of The Broken Hearts Gallery (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 11 Sep 2020

Geraldine Viswanathan has been steadily working her way through the coming-of-age subgenre, on her way to becoming a star…

Review of The Fight (2020)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 29 Jul 2020

Snappily edited, with a visual style reminiscent of Steven Soderbergh’s modular design, The Fight tells viewers of a certain political perspective…

Review of The Fight (2020)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 29 Jul 2020

Snappily edited, with a visual style reminiscent of Steven Soderbergh’s modular design, The Fight tells viewers of a certain political perspective…

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