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Last updated: 26 Jul 2026 at 12:01 UTC

Movie Reviews by Roxana Hadadi - Page 3 of 17

41-60 of 336 Reviews

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Review of I'm Your Man (2021)

By Roxana Hadadi (336) for Polygon (677) on 24 Sep 2021

I’m Your Man offers a perspective on humanity that’s equally whimsical and melancholy, and its intimacy is a welcome change of pace in…

Review of Language Lessons (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 13 Sep 2021

Language Lessons is an alternately comforting and challenging watch, and between this and Morales’s other 2021 directorial effort, Plan B,…

Review of Kate (2021)

By Roxana Hadadi (336) for Polygon (677) on 10 Sep 2021

Another unimaginative woman-led action flick written and directed by men who telegraph their twists and lean on flashbacks instead of bothering…

Review of Zone 414 (2021)

By Roxana Hadadi (336) for Polygon (677) on 08 Sep 2021

The ways Zone 414 lifts from its predecessors, borrowing elements from character development to costuming to questions about the utilitarianism…

Review of Behemoth (2021)

By Roxana Hadadi (336) for Polygon (677) on 30 Aug 2021

Some of it is sophisticated and more of it is silly, but Behemoth is jarringly effective more often than not…

Review of The Protégé (2021)

By Roxana Hadadi (336) for Polygon (677) on 20 Aug 2021

It’s a shame Maggie Q was so busy carrying The Protégé on her back that she couldn’t make time to kick the film’s embarrassing script…

Review of Sweet Girl (2021)

By Roxana Hadadi (336) for Los Angeles Times (12,977) on 20 Aug 2021

Momoa can believably howl in anguish and throw a devastating punch, but he can’t carry a script this muddled…

Review of The Meaning of Hitler (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 13 Aug 2021

The Meaning of Hitler never quite reconciles its central concern of whether continuing to talk about Hitler is an inherently compromised pursuit,…

Review of Beckett (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 04 Aug 2021

The Beckett character is sparsely written, and the sometimes bland performance Washington delivers doesn’t fill in many characterization…

Review of Jolt (2021)

By Roxana Hadadi (336) for Polygon (677) on 23 Jul 2021

A B-movie designed by people who knew exactly what kind of enjoyable trash they were making, Jolt is unabashedly silly, sloppily written, and…

Review of Settlers (2021)

By Roxana Hadadi (336) for Polygon (677) on 23 Jul 2021

Rockefeller only repeats other science fiction, rather than inventing big ideas of his own…

Review of Gunpowder Milkshake (2021)

By Roxana Hadadi (336) for Polygon (677) on 14 Jul 2021

The film’s intermittent delights are momentarily satisfying, but then numbness sets in, like the brain freeze that blooms after you slurp…

Review of Werewolves Within (2021)

By Roxana Hadadi (336) for Polygon (677) on 25 Jun 2021

Richardson’s task is to play off everyone else’s broadness, and his ease in doing so smooths over the rougher patches of Werewolves Within…

Review of Sisters on Track (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 24 Jun 2021

Although Sisters on Track has some gaps in its narrative that seem as if certain chunks of the girls’ lives were compressed or skipped over,…

Review of Sun Children (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 22 Jun 2021

A tidal wave of compassion and empathy that crests into rage and sorrow—all of it provoked by the plight of Iran’s child laborers…

Review of Infinite (2021)

By Roxana Hadadi (336) for Polygon (677) on 17 Jun 2021

Mark Wahlberg should never be in a science fiction movie ever again…

Review of Oslo (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 25 May 2021

What results is a very Western-specific view of this conflict and of the Oslo Accords that doesn’t embody the “both sides” approach the…

Review of Those Who Wish Me Dead (2021)

By Roxana Hadadi (336) for Polygon (677) on 21 May 2021

Amid the paper-thin plot, stilted script, inartful editing, and imbalanced character development, Jolie stands unblemished…

Review of Limbo (2020)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 28 Apr 2021

The narrowness of the frame forces us closer to what is caught within it, and the result is often bracing or achingly tender…

Review of Limbo (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 28 Apr 2021

The narrowness of the frame forces us closer to what is caught within it, and the result is often bracing or achingly tender…

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