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Last updated: 26 Jul 2026 at 20:14 UTC

Movie Reviews by Robert Abele - Page 7 of 66

121-140 of 1,309 Reviews

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Review of Finch (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 05 Nov 2021

A mishmash of star power, bleakness, CGI and the cutes, it will on the one hand remind you of how charmingly adaptive Hanks can be, while the…

Review of Eternals (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Oct 2021

What makes Eternals feel special is that, for once, the director genuinely cares as much about the character within that spectacle, as the…

Review of Becoming Cousteau (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 22 Oct 2021

Becoming Cousteau may not be as deep a journey as some would hope, but for having to chart a lot of years, it hits its points about passion,…

Review of Suzanna Andler (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 22 Oct 2021

Jacquot pays tribute to his mentor and friend, by adapting Suzanna Andler less as the movie you want than as an intimate walk along that precipice…

Review of A Cop Movie (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 21 Oct 2021

The blurring of real testimony with a compassionate filmmaker’s inventions is so compelling that when the documentary portion arrives, the…

Review of Introducing, Selma Blair (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Oct 2021

She may have a terrible co-star inside trying to upstage her, but with humor, strength and messy honesty, Blair makes a memorable case for…

Review of The Velvet Underground (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Oct 2021

The spiritual truth of Haynes’ spellbinding The Velvet Underground is that ultimately it’s about the thing that can’t be described, that…

Review of Lamb (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 07 Oct 2021

Set on a remote farm in the Icelandic tundra that could center either a horror film or a children’s fable, Valdimar Jóhannsson’s debut…

Review of Convergence: Courage in a Crisis (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 07 Oct 2021

When “Convergence” feels rushed for trying to squeeze in a global snapshot, its impact is diluted…

Review of LAMB (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 07 Oct 2021

Set on a remote farm in the Icelandic tundra that could center either a horror film or a children’s fable, Valdimar Jóhannsson’s debut…

Review of The Harder They Fall (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 06 Oct 2021

As a representative display of historical-but-reimagined players on well-worn ground, The Harder They Fall has undeniable pop, but as a movie…

Review of Old Henry (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 30 Sep 2021

Ponciroli shows natural flair for holstered and unholstered suspense (if not always story logic), plus he’s got a worthy partner in the muted…

Review of The Tragedy of Macbeth (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Sep 2021

If there’s a quibble with this graphically imagined The Tragedy of Macbeth, it’s one common to the movies Coen made with his brother: It’s…

Review of The Tragedy of Macbeth (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Sep 2021

If there’s a quibble with this graphically imagined The Tragedy of Macbeth, it’s one common to the movies Coen made with his brother: It’s…

Review of In Balanchine's Classroom (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Sep 2021

The intimacy, warmth and humor of the memories give the footage of him teaching the feeling of watching home movies from the adoring offspring…

Review of The Humans (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 18 Sep 2021

In the aggregate, Karam’s directing is so meticulously composed about conveying the density of what’s unsaid, and the mood around the people…

Review of Azor (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 17 Sep 2021

To the less patient viewer, the lack of clarity on the finer points of high finance and characters’ backgrounds and not getting period-orienting…

Review of Faya Dayi (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 17 Sep 2021

In eschewing directness of intent for the artful massaging of space, sound and rhythm, Beshir’s film — a very personal project for the…

Review of Citizen Ashe (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 16 Sep 2021

At its best — when the flow of voices, archival clips (co-director Pollard being a master at the textural impact of found footage), and nicely…

Review of Cry Macho (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 15 Sep 2021

A road movie that, considering who made it, starts pretty far down that road, Cry Macho is familiar and loose, sometimes rattly, occasionally…

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Robert Abele has written reviews for:

Los Angeles Times (12,977)
Chicago Tribune (6,211)
TheWrap (3,203)
L.A. Weekly (3,142)
Baltimore Sun (1,823)
Dallas Observer (1,128)

Robert Abele is connected to:

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