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Last updated: 26 Jul 2026 at 10:38 UTC

Movie Reviews by Robert Abele - Page 4 of 66

61-80 of 1,309 Reviews

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Review of White Noise (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 31 Aug 2022

Baumbach’s textural/visual/sonic approach is stylish enough that even when White Noise is just churning along, there’s always a keen detail…

Review of Free Chol Soo Lee (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 25 Aug 2022

In its clear-eyed empathy for the totality of life, Free Chol Soo Lee is only deepened by not ignoring what happens when the spotlight fades…

Review of Out of the Blue (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Aug 2022

Maybe if you hate movies, LaBute’s attempt to bore us to death with classic noir material is a nifty prank…

Review of Out of the Blue (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Aug 2022

Maybe if you hate movies, LaBute’s attempt to bore us to death with classic noir material is a nifty prank…

Review of Out of the Blue (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Aug 2022

Maybe if you hate movies, LaBute’s attempt to bore us to death with classic noir material is a nifty prank…

Review of Out of the Blue (2024)

By Robert Abele (1,309) for TheWrap (3,203) on 24 Aug 2022

Maybe if you hate movies, LaBute’s attempt to bore us to death with classic noir material is a nifty prank…

Review of The Territory (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 18 Aug 2022

It assuredly can’t be easy for a filmmaker to choose whether to leave viewers motivated by warmth or woe…

Review of Rogue Agent (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 12 Aug 2022

Rogue Agent is plenty fascinated by the abridged version of this saga — bad men are out there — but you’ll wish for that darker, less…

Review of Girl Picture (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 11 Aug 2022

Girl Picture is designed to feel as closely observed as a diary, but it’s also like being pulled along by a friend eager for you to experience…

Review of Easter Sunday (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 04 Aug 2022

Hints of Koy’s stage charm burst through occasionally in Easter Sunday — mostly because he’s also playing a comedian trying to hit the…

Review of Thirteen Lives (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 28 Jul 2022

Thirteen Lives may be a vivid rescue procedural first and foremost, but it’s also a testament to the guardian spirit possible in any of us…

Review of Not Okay (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 20 Jul 2022

Big swings can make for big misses, and that’s the situation writer-director Quinn Shephard’s internet satire-screed “Not Okay” finds…

Review of Gabby Giffords Won't Back Down (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 15 Jul 2022

Gabby Giffords Won’t Back Down never fully escapes its branded-content vibes, but as a parallel love story and back-to-battle story, it succeeds…

Review of Brian and Charles (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 16 Jun 2022

Even as the low-key mockumentary Brian and Charles impressively scales down a sci-fi concept to fable size, it neither does much to maintain…

Review of I'm Charlie Walker (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 10 Jun 2022

It’s so talky and un-visual that despite it taking place in multiple locations, including the California coastline, it feels like a play…

Review of Hustle (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 02 Jun 2022

The result, as directed by the promising Jeremiah Zagar (“We The Animals”), is an agreeable combination drill of humor, hurt, on-court…

Review of The Phantom of the Open (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 02 Jun 2022

You may see Flitcroft as a figure of ridicule or a hoax icon sticking it to gatekeepers or the ultimate aspiring amateur…

Review of A Chiara (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 26 May 2022

What’s best about A Chiara is its totality of naturalism and subjectivity — how it humanely complicates a teenager’s newfound self-possession,…

Review of Like a Rolling Stone: The Life & Times of Ben Fong-Torres (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 20 May 2022

When rock star wattage is the focus, “Like a Rolling Stone” doesn’t distinguish itself, but when Kai finds those ties in Fong-Torres’…

Review of Jazz Fest: A New Orleans Story (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 12 May 2022

“Jazz Fest” isn’t without flavor and rhythm, but what’s lacking is the thickness…

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Robert Abele has written reviews for:

Los Angeles Times (12,977)
Chicago Tribune (6,211)
TheWrap (3,203)
L.A. Weekly (3,142)
Baltimore Sun (1,823)
Dallas Observer (1,128)

Robert Abele is connected to:

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