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Last updated: 26 Jul 2026 at 12:22 UTC

Movie Reviews by Robert Abele - Page 3 of 66

41-60 of 1,309 Reviews

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Review of To the End (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 08 Dec 2022

This is a movie that could probably have done with less chronological vérité or media moments and more wide-ranging interviews drawing out…

Review of All the Beauty and the Bloodshed (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 01 Dec 2022

If you’ve ever doubted how art, rage or action can make meaningful change, Goldin’s combination of all three fighting an opioid crisis…

Review of Nanny (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Nov 2022

In her elegantly unsettling portrait of an invisible woman straddling two notions of home — far from what she’s known, working inside a…

Review of Lady Chatterley's Lover (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Nov 2022

Clermont-Tonnerre’s emphasis on playfulness and energy is understandable, but an opportunity to bring back a layered epicness to sex on film…

Review of Retrograde (2023)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 18 Nov 2022

Heineman’s trust in what his camera reveals — in the forlorn faces of U.S…

Review of Retrograde (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 18 Nov 2022

Heineman’s trust in what his camera reveals — in the forlorn faces of U.S…

Review of Only in Theaters (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 18 Nov 2022

Being privy to this proud, close family at such a heavy, teetering moment is naturally emotional, which means Sbarge’s occasional voice-over…

Review of Love, Charlie: The Rise and Fall of Chef Charlie Trotter (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 18 Nov 2022

“Love, Charlie” plays like a whirlwind story, and an often entertaining one, but there’s no breathing room to process anything beyond…

Review of Lamborghini: The Man Behind the Legend (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 16 Nov 2022

The cars are the stars in Lamborghini: The Man Behind the Legend, a pamphletized biopic that does the easy thing — beautifying Italy and…

Review of Guillermo del Toro's Pinocchio (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 09 Nov 2022

It’s all plenty inventive and heart-conscious, grim without being punishing and, in its openness about impermanence and humility, could spark…

Review of You Resemble Me (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 04 Nov 2022

Whether we read about someone like Hasna or watch such a sad journey dramatized, it’s worth being reminded that stories like these always…

Review of All That Breathes (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 27 Oct 2022

As deliberate as the image-making often is, it’s always to train us in looking as the brothers do, to consider the breadth of life and interconnectedness…

Review of Silent River (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 21 Oct 2022

Silent River feels intensely personal, but also impossibly closed off. But is that so bad…

Review of Descendant (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 20 Oct 2022

With Descendant, Brown wisely chooses to be respectfully, poetically alert instead of imposing, as her use of archival footage shot by Hurston…

Review of Lyle, Lyle, Crocodile (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 06 Oct 2022

While not enough to sell Lyle, Lyle, Crocodile, Bardem’s mission to out-cartoon his animated scene partner (admittedly not difficult) still…

Review of Amsterdam (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 27 Sep 2022

Russell’s brand of Sturges-inspired madcappery has always been a high-wire act of energy and tone, but Amsterdam doesn’t even feel like…

Review of Sidney (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Sep 2022

There is surely more to be mined from this extraordinary, complicated trailblazer’s life than one suitably enjoyable love letter to his brilliance…

Review of Clerks III (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Sep 2022

More of a recognition reel for a fan convention than a movie, it signals a career that’s traveled far from its first evocation of a raw seriocomic…

Review of Dos estaciones (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 01 Sep 2022

In a sense, Dos Estaciones creates its own gripping shot-chaser cycle of moods, the accumulative effect of landscape beauty, grim news, observed…

Review of White Noise (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 31 Aug 2022

Baumbach’s textural/visual/sonic approach is stylish enough that even when White Noise is just churning along, there’s always a keen detail…

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Robert Abele has written reviews for:

Los Angeles Times (12,977)
Chicago Tribune (6,211)
TheWrap (3,203)
L.A. Weekly (3,142)
Baltimore Sun (1,823)
Dallas Observer (1,128)

Robert Abele is connected to:

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