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Last updated: 26 Jul 2026 at 14:59 UTC

Movie Reviews by Robbie Collin - Page 6 of 81

101-120 of 1,612 Reviews

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 05 Apr 2022

So many sequences here feel like free-floating trailer fodder: surplus to plot requirements, but too expensive to cut…

Review of Morbius (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 31 Mar 2022

Leto throws himself into the role with a steely commitment that would be easier to understand if the film surrounding him weren’t so thuddingly…

Review of The Bubble (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 31 Mar 2022

Some of the jokes here are so bad they may be legally actionabubble, even prosecutabubble, and will cause toes to curl on the feet of the hitherto…

Review of Sonic the Hedgehog 2 (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 31 Mar 2022

High-speed antics have never felt this slow…

Review of Ambulance (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 24 Mar 2022

Speeding vehicles are clunked and donked into one another with xylophonic zeal, while the camera snakes and tears between them faster than…

Review of Turning Red (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 07 Mar 2022

It works as beautifully as it does because the film’s comedy has been machined with Swiss precision, and all of its characters written with…

Review of The Batman (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 28 Feb 2022

The two stars generate an astonishing sensual charge in a brilliant addition to the Batman canon that refuses to behave like a blockbuster…

Review of The Desperate Hour (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 26 Feb 2022

At least Watts’s bright-eyed charisma and obvious commitment passes the time – while director Phillip Noyce, who also had Angelina Jolie…

Review of The Duke (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 26 Feb 2022

The Duke is that rarest of things: a comedy that knows that a twinkle in the eye and a fire in the belly needn’t be mutually exclusive…

Review of Tyler Perry's A Madea Homecoming (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Feb 2022

It’s less a film than a compound disaster scenario for comedy: to say I didn’t laugh once is to understate the sheer volume and vehemence…

Review of The Real Charlie Chaplin (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 17 Feb 2022

As portraiture, it’s also unapologetically (and therefore unfashionably) complex: the unsavoury aspects of his personal life are frankly…

Review of Kimi (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 17 Feb 2022

With Kimi, director Steven Soderbergh and screenwriter David Koepp have dazzlingly updated Rear Window for the work-from-home age: their film…

Review of The Outfit (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 15 Feb 2022

It’s testament to the artfulness of Moore and Johnathan McClain’s screenplay that your suspicions flit constantly between all four parties,…

Review of Flee (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 11 Feb 2022

This is a film which simply wouldn’t have worked in any medium but animation: in an hour and a half we come to know Amin intimately without…

Review of Uncharted (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 10 Feb 2022

Every frame is so obviously green-screened, airbrushed and otherwise climate-controlled that it unfolds without a squeak of peril – the stakes…

Review of The Eyes of Tammy Faye (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 03 Feb 2022

A Wolf of Wall Street-like treatment of this story could have been a scream – and the details are more than bizarre, crass and damning enough…

Review of Sing 2 (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 27 Jan 2022

It can’t be denied that as a piece of cover-all-bases, hi-sheen, lo-thought, built-to-order corporate product, the film runs with a steady…

Review of Nightmare Alley (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 21 Jan 2022

A terrific, despair-drenched final scene is the viewer’s reward for staying the course: pitilessly cruel, spare and shivery, it’s got everything…

Review of The 355 (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jan 2022

Rather than doing anything novel or surprising with the basic spies-gone-rogue template, The 355 just repackages it in girl-power wrapping…

Review of Munich - The Edge of War (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jan 2022

In place of depth, MacKay and Niewöhner invest Legat and Hartmann’s relationship with a watchable if uncomplicated friction, but it’s…

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