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Last updated: 26 Jul 2026 at 14:07 UTC

Movie Reviews by Robbie Collin - Page 5 of 81

81-100 of 1,612 Reviews

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Review of Nope (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 20 Jul 2022

For Hollywood’s armies of unsung craftsfolk, Nope turns the blockbuster rules on their head: an expansive science-fiction thriller whose…

Review of The Gray Man (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 14 Jul 2022

Around halfway through a sustained shootout in Prague, the sheer thundering mindlessness of the whole enterprise becomes impossible to ignore…

Review of Thor: Love and Thunder (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 05 Jul 2022

Forget computer-generated spandex: that top must be the single most psychologically precise piece of costuming in the entire Marvel project…

Review of The Sea Beast (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 24 Jun 2022

In terms of sheer energy and invention, it more than holds its own, and boasts action scenes whose wit, vibrancy and gracefulness make Lightyear…

Review of Minions: The Rise of Gru (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 24 Jun 2022

The animation is technically wondrous – the colour and detail amazes, while the Minions themselves have never looked more bouncily robust…

Review of Spiderhead (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 17 Jun 2022

It’s enjoyably acted and astutely put together, with plot details that bleed out at just the right speed…

Review of Lightyear (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 13 Jun 2022

For perhaps the first time in the studio’s canon, every idea in this ‘origin story’ of the Toy Story astronaut feels woefully half-baked…

Review of Jurassic World Dominion (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 08 Jun 2022

This series' sixth film has a daft plot, groans with lousy action and makes the poor old dinosaurs humiliatingly surplus to requirements…

Review of Stars at Noon (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 26 May 2022

Stars at Noon is at its best when it has Trish and Daniel suspended in horny limbo, with Denis building an atmosphere of sultry languor that…

Review of Elvis (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 May 2022

Yes, it’s a bright and splashy jukebox epic with an irresistible central performance from Austin Butler…

Review of Enys Men (2023)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 May 2022

It wouldn’t be quite right to describe Mark Jenkin’s Enys Men as a horror film…

Review of Crimes of the Future (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 23 May 2022

Seydoux gives the film’s best performance: even wrenching moments are played at a glassy remove…

Review of Triangle of Sadness (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 22 May 2022

The points of Östlund’s Triangle are far from subtle…

Review of Three Thousand Years of Longing (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 21 May 2022

While Swinton and Elba make smooth work of the fairy-tale-toned dialogue, they simply lack the chemistry to make their tryst convince as romance…

Review of Top Gun: Maverick (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 12 May 2022

Thrilling, moving and gloriously Cruisey, Joseph Kosinski's sequel to the 1986 hit is unquestionably the best studio action film in years…

Review of Doctor Strange in the Multiverse of Madness (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 03 May 2022

But the idea that Raimi’s signature touch amounts to rewarming old flourishes from his work over the last four decades is a wildly embarrassing…

Review of Playground (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 27 Apr 2022

Vitally, Wandel doesn’t ramp up the misery here for dramatic effect, but rather successfully makes the fairly everyday unpleasantness feel…

Review of Playground (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 27 Apr 2022

Vitally, Wandel doesn’t ramp up the misery here for dramatic effect, but rather successfully makes the fairly everyday unpleasantness feel…

Review of Downton Abbey: A New Era (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 25 Apr 2022

“We have to be able to enter the 1930s with our heads held high,” Dockery says – another hint that further Downtons may just keep roaring…

Review of The Lost City (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 15 Apr 2022

The Lost City is what could be described as knowingly dated: it’s a film designed to make you regret they don’t make ’em like this any…

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