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Last updated: 01 Jul 2026 at 08:49 UTC

Movie Reviews by Owen Gleiberman - Page 94 of 164

1,861-1,880 of 3,271 Reviews

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Review of The Cable Guy (1996)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The director, Ben Stiller, works with craftsmanly precision, but too much control can dampen madness…

Review of Mister Johnson (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Beresford, adapting Joyce Cary's 1939 novel, looks at the psychological relationships inherent in colonialism with some subtlety…

Review of Drop Dead Fred (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

As the naughty ghost pal of Phoebe Cates, an obnoxious British actor named Rik Mayall is like Michael Keaton’s Beetlejuice without the juice…

Review of Love Field (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Beneath its heavy-breathing fripperies, though, Basic Instinct is mechanical and routine, a muddle of Hitchcockian red herrings and standard…

Review of Orlando (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

As a fantasy, Orlando has been spun out of a rather glib idea: that the mere assertion of Androgyny As Destiny is automatically a brave, emotionally…

Review of National Lampoon's Loaded Weapon 1 (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

A raucous parody of bodies-through-the-plate-glass-window action flicks, the movie has been made in a slavish but pedestrian imitation of the…

Review of Problem Child (1954)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

With jokes this lame you won't have to worry as much about your children getting any bad ideas…

Review of Assassin(s) (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

There's so much dead air floating around in this icy-cool thriller that the director, Richard Donner, seems to be trying for an art-house version…

Review of Carancho (2010)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The Argentinean actor Ricardo Darín (The Secret in Their Eyes) has an almost Bogart-like gift for playing world-weary rotters with a core…

Review of Dark Days (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

More noteworthy for its intentions than its execution…

Review of Assassins... (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

There's so much dead air floating around in this icy-cool thriller that the director, Richard Donner, seems to be trying for an art-house version…

Review of Howards End (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The triumph of Howards End is that it doesn't merely invite us to feel for these characters…

Review of James and the Giant Peach (1996)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

If only they’d trusted it more, they might have made a marvelous kids’ film instead of a merely charming one…

Review of Manhattan Murder Mystery (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The plot is clever and absorbing, with one wild Hitchcockian twist (a comic variation on Vertigo)…

Review of The Quick and the Dead (1995)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The plot of this low-camp revenge thriller is little more than an excuse to line up one badass cowboy (or girl) opposite another and let the…

Review of The Bodyguard (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The Bodyguard is an outrageous piece of saccharine kitsch -- or, at least, it might have been had the movie seemed fully awake…

Review of Once Were Warriors (1994)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The violence in Once Were Warriors (Fine Line, R), a tumultuous domestic drama from New Zealand, erupts with terrifying suddenness…

Review of Office Space (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Office Space feels cramped and underimagined…

Review of Dave (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

For all its modest charm, Dave is a true throwback to the Capra days, a political comedy just cockeyed enough to triumph over cynicism…

Review of Cry-Baby (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

There are some funny moments, but this may be the first time the director's scabrous, anarchic wit seems vaguely depressed…

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Page 94 of 164

Owen Gleiberman has written reviews for:

Variety (12,700)
Entertainment Weekly (6,953)
BBC.com (1,500)

Owen Gleiberman is connected to:

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