Review of Orlando (1992) by Owen Gleiberman for Entertainment Weekly — 06 Sep 2011
As a fantasy, Orlando has been spun out of a rather glib idea: that the mere assertion of Androgyny As Destiny is automatically a brave, emotionally triumphant stance for our time. The truth is, when androgyny is shrouded in this much deadening ”art,” it becomes little more than a haughty exercise in academic chic.
You can read the full review where it was originally posted online.
This review of Orlando (1992) was written by Owen Gleiberman and published by Entertainment Weekly on 06 Sep 2011.
Orlando has generally received very positive reviews.
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