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Last updated: 16 Jun 2026 at 09:52 UTC

Movie Reviews by Owen Gleiberman - Page 9 of 164

161-180 of 3,271 Reviews

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Review of The King's Man (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 14 Dec 2021

The film oscillates, rather awkwardly, between grandiose cartoon heroics and a kind of dutiful flatness…

Review of Being the Ricardos (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 07 Dec 2021

The dialogue in Being the Ricardos has the blunt directness, dagger wit, and perfectly cut corners of Sorkinese — a sound that might…

Review of West Side Story (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Dec 2021

There are scenes in Spielberg’s version that will melt you, scenes that will make your pulse race, and scenes where you simply sit back and…

Review of House of Gucci (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 22 Nov 2021

House of Gucci is an icepick docudrama that has a great deal of fun with its grand roster of ambitious scoundrels, but it’s never less than…

Review of Encanto (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 15 Nov 2021

Encanto is a lively, lovely, lushly enveloping digitally animated musical fairy tale…

Review of Mayor Pete (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 13 Nov 2021

Mayor Pete shows us the trial by fire of it all, and also the jubilant grind…

Review of The Most Beautiful Boy in the World (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 09 Nov 2021

It’s a small, impressionistic, oddly heartfelt movie about beauty, stardom, adoration, exploitation, and loss. Oh, is it ever about loss…

Review of Clifford the Big Red Dog (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 08 Nov 2021

Clifford the Big Red Dog becomes a rowdy chase film — as agreeable as Clifford himself, as simultaneously cute and in-your-face, and as genially…

Review of Learning to Live Together: The Return of Mad Dogs & Englishmen (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

It’s a performance film, a delectable slice of nostalgia, and a testament to how one gorgeously raucous rock ‘n’ roll moment can reverberate…

Review of Night Teeth (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

The dark-side-of-the-L.A.-club-scene premise has potential, but the movie turns out to be a cut-and-paste thriller without any night-world…

Review of Becoming Cousteau (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

Becoming Cousteau, Liz Garbus’s ardent and transporting documentary, is one of those movies that puts a life together so beautifully that…

Review of Paranormal Activity: Next of Kin (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 29 Oct 2021

On some level, every “Paranormal Activity” film is about monsters caught on camera, but in this one the demons remain scariest when they’re…

Review of Army of Thieves (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 26 Oct 2021

Army of Thieves is one of those bombastically blithe and fanciful Netflix action movies, in this case with a romantic heart…

Review of Eternals (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 24 Oct 2021

Zhao’s sensibility, to a degree, is there — in the casual humanity of the characters, in the flow of quip and conflict and passion (at…

Review of South of Heaven (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 12 Oct 2021

The movie gives Jason Sudeikis a chance to act without the safety net of comedy, and he proves that he’s got the right stuff…

Review of Madonna: Madame X (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 10 Oct 2021

Madame X, on the joy scale, feels drained…

Review of The Addams Family 2 (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 01 Oct 2021

In the case of The Addams Family 2, Tiernan and Vernon have used the sequel as an opportunity for an upgrade…

Review of No Time to Die (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 28 Sep 2021

No Time to Die is a terrific movie: an up-to-the-minute, down-to-the-wire James Bond thriller with a satisfying neo-classical edge…

Review of The Tragedy of Macbeth (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 24 Sep 2021

It shows you, through the ironic empathy summoned by Washington’s performance, just how fast the human race can slip off the tracks…

Review of The Tragedy of Macbeth (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 24 Sep 2021

It shows you, through the ironic empathy summoned by Washington’s performance, just how fast the human race can slip off the tracks…

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Page 9 of 164

Owen Gleiberman has written reviews for:

Variety (12,700)
Entertainment Weekly (6,953)
BBC.com (1,500)

Owen Gleiberman is connected to:

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