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Last updated: 16 Jun 2026 at 17:59 UTC

Movie Reviews by Owen Gleiberman - Page 10 of 164

181-200 of 3,271 Reviews

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Review of The Many Saints of Newark (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 21 Sep 2021

It’s a sharp, lively, and engrossing movie, one that provides a fascinating running commentary on how the world of “The Sopranos” came…

Review of Mona Lisa and the Blood Moon (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 18 Sep 2021

Mona Lisa and the Blood Moon is a lark, a contradiction — a lurid, violent, caught-in-the-gutter movie that’s also a nimble and knowing…

Review of Copshop (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 17 Sep 2021

Copshop is a processed slice of genre meatloaf with the gravy occasionally dribbled in ornate patterns…

Review of Old Henry (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 17 Sep 2021

We know in our bones where the movie is going, and it’s a steady enjoyable ride, a touch prosaic at times, one that turns into a kind of…

Review of The Survivor (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 17 Sep 2021

The Survivor is a Holocaust movie that’s fresh enough to make you laugh between the tears, the gasps of terror, the long road out of the inferno…

Review of The Survivor (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 17 Sep 2021

The Survivor is a Holocaust movie that’s fresh enough to make you laugh between the tears, the gasps of terror, the long road out of the inferno…

Review of Cry Macho (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 15 Sep 2021

It’s friendly and diverting and formulaic, in an inoffensive and good-natured way, and it’s a totally minor affair…

Review of The Desperate Hour (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 14 Sep 2021

Watts’ commitment holds the movie together. She acts as if that phone were her flesh-and-blood partner. But it’s not…

Review of The Eyes of Tammy Faye (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 12 Sep 2021

Chastain and Garfield give performances that are brashly entertaining but also canny and layered, as the characters get caught up in something…

Review of The Last Duel (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 10 Sep 2021

Despite a brief action interlude here or there, The Last Duel turns out to be a lavishly convoluted and, at times, rather interesting medieval…

Review of Halloween Kills (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 08 Sep 2021

Halloween night may be Michael Myers’ masterpiece, but Halloween Kills is no masterpiece…

Review of Spencer (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Sep 2021

Spencer is an intimate speculative drama that stays as close as it can to everything we know about Diana…

Review of Dune (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Sep 2021

Dune is out to wow us, and sometimes succeeds, but it also wants to get under your skin like a hypnotically toxic mosquito…

Review of The Card Counter (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

Part of the beauty of poker is that it doesn’t represent anything. It’s just a game…

Review of The Power of the Dog (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

All of this should build, slowly and inexorably, in force and emotion…

Review of The Hand of God (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

The Hand of God has some good scenes, but it’s the kind of portrait-of-an-artist drama where you watch the insults, the clashes, the assaultive…

Review of Parallel Mothers (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 01 Sep 2021

It’s a film of cascading twists and turns, of thickening complication, of high family drama…

Review of Candyman (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 25 Aug 2021

The new Candyman references the plot of the original as a sinister fanfare of shadow puppets, as if to say, “That was mythology…

Review of The Meaning of Hitler (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 19 Aug 2021

We go into The Meaning of Hitler craving that millimeter of insight, of intrigue and revelation. And the film provides it…

Review of Demonic (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 18 Aug 2021

At one point, a character in a coma is referred to as having Locked-In Syndrome, which means that she’s still aware of her surroundings but…

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Owen Gleiberman has written reviews for:

Variety (12,700)
Entertainment Weekly (6,953)
BBC.com (1,500)

Owen Gleiberman is connected to:

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