Movie Reviews by Odie Henderson - Page 8 of 21

141-160 of 402 Reviews

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Review of Wheel of Fortune and Fantasy (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 11 Oct 2021

Wheel of Fortune and Fantasy is a love letter to the art of spinning a good yarn, but it’s also a sharply observed paean to the lies and…

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Review of My Name Is Pauli Murray (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Sep 2021

It does what all good documentaries do: it made me want to read up and be educated more on its subject…

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Review of Kate (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 10 Sep 2021

Umair Aleem’s script is so paint-by-numbers familiar that it leaves you wishing you’d watched one of the better movies it’s ripping off…

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Review of Candyman (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 25 Aug 2021

Candyman caters to fans of the original without sacrificing its own vision and story…

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Review of Respect (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Aug 2021

Whether it’s in a nightgown or in the full, glorious regalia Aretha Franklin adorned in her concert appearances, Hudson performs with the…

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Review of Beckett (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Aug 2021

If you didn’t know Beckett was a thriller, you’d think it was about two mismatched people with dry interests, mundane conversations, and…

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Review of Swan Song (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 06 Aug 2021

Unfortunately, the film gets derailed by tonal inconsistencies and a clichéd plot that undermines the strength of its memorable outlier sections…

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Review of Summertime (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 16 Jul 2021

On paper, it sounds iffy; in execution, however, it’s absolutely glorious, a gleeful glide through adolescence that doesn’t gloss over…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 02 Jul 2021

Working the grill, and not letting anyone else touch it, is musician and music lover, Ahmir “Questlove” Thompson making his directorial…

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Review of Wolfgang (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 25 Jun 2021

Like the DisneyNature films, it’s strikingly pretty, not just in its gorgeous views of the Austrian countryside, but also in the interiors…

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Review of Fatherhood (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 18 Jun 2021

Fatherhood is at its best and most watchable when it’s just Hart and Hurd onscreen…

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Review of Akilla's Escape (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 11 Jun 2021

Akilla’s Escape is undone by its own lack of faith in the viewer, opting to explicitly tell rather than rely on its fine actors to show us…

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Review of City of Ali (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 04 Jun 2021

It’s full of pure, unadulterated love for “The Greatest,” so much so that the viewer can’t help but get enveloped in its adoration…

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Review of The Outside Story (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 30 Apr 2021

The Outside Story is barely 85 minutes long, but Henry's performance is rich enough to make this small film feel rather epic…

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Review of Tom Clancy's Without Remorse (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 28 Apr 2021

This is one of those super-convoluted conspiracy theory movies where nothing makes sense and you simply stop caring…

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Review of The Toll (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 26 Mar 2021

Horror movies don’t have to make a lick of sense as long as they get under your skin, engage in some intriguing myth making, gross you out,…

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Review of The Toll (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 26 Mar 2021

Horror movies don’t have to make a lick of sense as long as they get under your skin, engage in some intriguing myth making, gross you out,…

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Review of The Courier (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Mar 2021

Though there’s nothing new or transformative here, The Courier stays afloat due to the acting by Buckley, Cumberbatch, and Ninidze…

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Review of Coming 2 America (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 05 Mar 2021

Coming 2 America is like attending your high school reunion: You’ll enjoy seeing the familiar faces of those with whom you once shared such…

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Review of Judas and the Black Messiah (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 02 Feb 2021

In Judas and the Black Messiah, Daniel Kaluuya gives an electrifying performance that raises the hairs on the back of your neck…

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