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Last updated: 08 Jun 2026 at 22:45 UTC

Movie Reviews by Odie Henderson - Page 7 of 21

121-140 of 402 Reviews

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Review of Hold Your Fire (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 20 May 2022

The excellent and infuriating Hold Your Fire has all the twists and turns of the best hostage movie thrillers…

Review of The Last Victim (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 May 2022

The Last Victim plays like a bet between the filmmakers and some sadistic bully who triple-dog-dared them to fit all its disparate plotlines…

Review of The Aviary (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 29 Apr 2022

The Aviary experiences a drop in quality during its attempts to goose the audience, but its two lead performances remain consistent…

Review of Petite Maman (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 22 Apr 2022

What’s most refreshing about Petite Maman is that it doesn’t play coy with its magic, nor does it separate it from the sadder, darker reality…

Review of Chariot (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 15 Apr 2022

How can we be interested if the movie we’re watching is as unimpressed with itself as we are…

Review of Dear Mr. Brody (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 04 Mar 2022

Dear Mr. Brody does a fine job of showing how the financial chasm between rich and poor people is as wide and insurmountable today as it was in 1970…

Review of Tyler Perry's A Madea Homecoming (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 28 Feb 2022

The prior end to this series, “A Madea Family Funeral,” was actually a decent movie. Madea should have quit while she was ahead…

Review of The Tragedy of Macbeth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 23 Dec 2021

This “Macbeth” is as much about mood as it is about verse…

Review of The Tragedy of Macbeth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 23 Dec 2021

This “Macbeth” is as much about mood as it is about verse…

Review of The Tender Bar (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Dec 2021

This is the same young man's coming-of-age story you’ve seen over and over. Nothing new has been added…

Review of National Champions (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 10 Dec 2021

You need a blackboard full of X’s and O’s to keep track of the petty plays this movie's running…

Review of Citizen Ashe (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 03 Dec 2021

By the time we get to Ashe’s AIDS-related activism, and the horrible way USA Today twisted his arm into revealing his diagnosis, Citizen…

Review of The Unforgivable (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 24 Nov 2021

This is three movies in one, each of which is progressively worse…

Review of King Richard (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 16 Nov 2021

King Richard is half sports movie, half biopic. As such, it hits the sweet spots and sour notes of both genres…

Review of Paper & Glue (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 12 Nov 2021

To be honest, the cynic in me thought “Paper & Glue” was going to be a piece of fluff that would make me roll my eyes at the notion of…

Review of Snakehead (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 29 Oct 2021

Snakehead entices you with a lurid premise, but the empathy that shines through the cracks of its tough exterior is the real surprise…

Review of Attica (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 29 Oct 2021

Stanley Nelson’s documentary Attica is a harrowing, infuriating look at racism and the abuse of power by people who see others as inhuman…

Review of Passing (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 27 Oct 2021

Hall, Grau, editor Sabine Hoffman, and composer Devonté Hynes do an excellent job of casting a hypnotic spell on the audience…

Review of Passing (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 27 Oct 2021

Hall, Grau, editor Sabine Hoffman, and composer Devonté Hynes do an excellent job of casting a hypnotic spell on the audience…

Review of Operation Hyacinth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Oct 2021

Had this been made back in the 1940s, it would have fit nicely in the same genre as Detour or The Maltese Falcon…

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