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Nick Davis

Last updated: 26 Jul 2026 at 05:46 UTC

Movie Reviews by Nick Davis - Page 16 of 18

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Review of The Gift (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Stilted, obvious, and cruel... No longer an absurdist of gore, Raimi is now a reveler in it…

Review of Kissing Jessica Stein (2002)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

I'd be interested to see these women star in another movie, but I'm not crossing my fingers that they write another one…

Review of In the Bedroom (2001)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Minimalist acting is only interesting--and it can, of course, be intensely interesting--when it isn't providing a desperate cover for thematic…

Review of Armageddon (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Bay's astronauts show us how to disable the sort of worthless debris that can threaten us from the cosmos, but a more pressing problem is how…

Review of A Simple Plan (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Overeager to pile so many possible, psych-lite motivations that nothing holds water or compels us very much... Terribly self-serious…

Review of Bull Durham (1988)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

A comic delight with real sophistication and thoroughbred sportiness…

Review of Road to Perdition (2002)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Road to Perdition is so jumbled and poseurish that you're less likely to wonder, 'How did the creators of American Beauty sink to this…

Review of You Can Count on Me (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The best domestic comedy-drama in ages, a genuine American beauty without all the flash of American Beauty…

Review of Jurassic Park III (2001)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

The Jurassic movies have by now palpably entered the plane of baldly profit-hunting, unpretentious entertainment…

Review of L.A. Confidential (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

A wondrous troika of actors lends L.A. Confidential its slippery but distinctive erotic poignancy…

Review of American Psycho (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

American Psycho connects strongly in the moment, and has proven memorable over time, for the vivid impressions it makes in tone as well as…

Review of Dark City (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Even if Dark City is a little off-putting in its basic approach, there is a bounty of good things to be said about it…

Review of Panic Room (2002)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

It is despicable to see a renegade artist like Fincher consume himself within such a tired, deceptively conventional product…

Review of Fresh (2009)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Without a fully-formed perspective on its protagonist, Fresh remains a picture that is more powerful and affecting in concept than in actual…

Review of Bring It On (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Bring It On amazes not just for its political sophistication but for its refusal to beg credit points for being smart…

Review of As Good as It Gets (1997)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Perhaps, though, it is Carol's (and Hunt's) ongoing commitment to emotional honesty and fair play that make it increasingly difficult to ignore…

Review of The Opposite of Sex (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Hilarious and confident...the couples multiply, couplings turn into triangles, and the year's most unlikely authorities separate love from…

Review of Buffalo '66 (1998)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Occasionally inventive but too willing to laze about in its own determined strangeness…

Review of Unbreakable (2000)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

A depressing, definitive case of a film that experiences in its third and final act what one could either call, charitably, a total loss of…

Review of Fresh (1994)

By Nick Davis (360) for Nick's Flick Picks (358) on 10 Jan 2003

Without a fully-formed perspective on its protagonist, Fresh remains a picture that is more powerful and affecting in concept than in actual…

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