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Last updated: 08 Sep 2026 at 11:58 UTC

Movie Reviews by Natalia Winkelman - Page 5 of 8

81-100 of 145 Reviews

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Review of Future People: The Family of Donor 5114 (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 09 Apr 2021

Although Future People struggles to break through to the kids, an engaging family portrait emerges nonetheless — of a group clustered by…

Review of Seaspiracy (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 25 Mar 2021

Even the film’s notable points seem to emerge only briefly before sinking beneath the surface, lost in a sea of murky conspiratorial thinking…

Review of Groomed (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 18 Mar 2021

Van de Pas calls on experts, psychologists and a convicted sex offender for interviews, but the most illuminating examples come from her own story…

Review of YES DAY (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 12 Mar 2021

Though Yes Day does not lack for energy, the jokes are too broad and the mishaps too safe for the movie to emerge as an honest or imaginative…

Review of The Walrus and the Whistleblower (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 04 Mar 2021

Frustratingly, the documentary declines to probe Demers’s evolving relationship to his activism and newfound fame…

Review of There Is No "I" in Threesome (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 11 Feb 2021

As our central couple’s connection falters, the documentary evolves into an astute examination of perspective…

Review of Palmer (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 29 Jan 2021

That Palmer eventually embraces Sam as an ally in misfitdom is inevitable. So is the annoyance inspired by this prosaic masculine melodrama…

Review of Locked Down (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 14 Jan 2021

The best that Locked Down has to offer, at least while we remain in the throes of a deadly crisis, is a window into a luxurious space to quarantine…

Review of Locked Down (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 14 Jan 2021

The best that Locked Down has to offer, at least while we remain in the throes of a deadly crisis, is a window into a luxurious space to quarantine…

Review of LOCKED DOWN (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 14 Jan 2021

The best that Locked Down has to offer, at least while we remain in the throes of a deadly crisis, is a window into a luxurious space to quarantine…

Review of The Bee Gees: How Can You Mend a Broken Heart (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 12 Dec 2020

Grooving through the decades, this entertaining documentary aspires to prove that the Bee Gees were more than a hitmaker for disco nightclubs…

Review of Godmothered (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 04 Dec 2020

Is the film trapped in Disney orthodoxy? If the shoe fits…

Review of The Christmas Chronicles: Part Two (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 25 Nov 2020

As Kate and Jack’s adventures turn to lessons in love and courage, the movie starts to feel mechanical, like the Village’s churning candy…

Review of Ainu Mosir (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 18 Nov 2020

Rather than relying on dialogue, Fukunaga allows emotion to shine through musical performances — a school anthem, folk songs, drunken karaoke…

Review of Come Away (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 13 Nov 2020

Like a magic brew thinned into bouillon, Come Away folds spellbinding storybook tales into a mundane melodrama…

Review of Holidate (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 28 Oct 2020

Far worse than these characters’ grating personalities are the regressive strains underpinning their flirtation…

Review of Over the Moon (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 22 Oct 2020

Over the Moon deserves credit for launching an unflinching lesson about grief. If only it had taken a different flight path…

Review of BLACKPINK: Light Up the Sky (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 14 Oct 2020

While its salute to the artists flicks at the cynical side of their industry, it is less a probing profile than a backstage pass for fans of…

Review of David Attenborough: A Life on Our Planet (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 06 Oct 2020

The film’s grand achievement is that it positions its subject as a mediator between humans and the natural world…

Review of Kiss the Ground (2020)

By Natalia Winkelman (145) for The New York Times (9,847) on 24 Sep 2020

The film makes a case for the healing power of soil, arguing that its capacity to sequester carbon could be the key to reversing the effects…

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