Review of Ainu Mosir (2020) by Natalia Winkelman for The New York Times — 18 Nov 2020
Rather than relying on dialogue, Fukunaga allows emotion to shine through musical performances — a school anthem, folk songs, drunken karaoke. These scenes speak for themselves, and they build upon the story with quiet power.
You can read the full review where it was originally posted online.
This review of Ainu Mosir (2020) was written by Natalia Winkelman and published by The New York Times on 18 Nov 2020.
Ainu Mosir has generally received positive reviews.
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