Movie Reviews by Mauro_Lanari - Page 21 of 34

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Review of Sputnik (2020)

By Mauro_Lanari (665) on 07 May 2021

(Mauro Lanari) Abramenko's debut is still derivative from Western and Hollywood cinema…

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Review of Locked Down (2021)

By Mauro_Lanari (665) on 03 May 2021

(Mauro Lanari) Man is least himself when he talks in his own person…

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Review of LOCKED DOWN (2021)

By Mauro_Lanari (665) on 03 May 2021

(Mauro Lanari) Man is least himself when he talks in his own person…

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Review of Locked Down (2021)

By Mauro_Lanari (665) on 03 May 2021

(Mauro Lanari) Man is least himself when he talks in his own person…

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Review of Tom Clancy's Without Remorse (2021)

By Mauro_Lanari (665) on 01 May 2021

(Mauro Lanari) The remarkable balance of the debut ACAB (2012) had already disappeared in the following film: it is not the time for thoughtful…

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Review of Stowaway (2021)

By Mauro_Lanari (665) on 27 Apr 2021

(Mauro Lanari) Nick Cave's son dies, he dedicates a trilogy to him and critics consider it a masterpiece…

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Review of Stowaway (2021)

By Mauro_Lanari (665) on 27 Apr 2021

(Mauro Lanari) Nick Cave's son dies, he dedicates a trilogy to him and critics consider it a masterpiece…

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Review of The Father (2020)

By Mauro_Lanari (665) on 09 Apr 2021

(Mauro Lanari) Bastard son of Memento (Nolan 2000) and Amour (Haneke 2012), from the 1st it takes the cinematographic transposition of psychopathologies…

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Review of Words on Bathroom Walls (2020)

By Mauro_Lanari (665) on 04 Apr 2021

(Mauro Lanari) It starts pretty well, then too many things take over: the inevitable biracial relationship, the atrocious Drew Barrymore, van…

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Review of Sweet Country (2018)

By Mauro_Lanari (665) on 03 Apr 2021

(Mauro Lanari) Nihilistic despair orchestrated with all the directorial tricks adored by festivals (it won the Special Jury Prize at the 74th…

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Review of Brian Banks (2019)

By Mauro_Lanari (665) on 02 Apr 2021

(Mauro Lanari) I don't appreciate Shadyac's cinema, usually shamelessly inspirational…

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Review of Let Him Go (2020)

By Mauro_Lanari (665) on 31 Mar 2021

(Mauro Lanari) Chivalrous male sacrifice for the survival of women. In the name of gender equality, matriarchy returns to reign…

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Review of The White Tiger (2021)

By Mauro_Lanari (665) on 31 Mar 2021

(Mauro Lanari) In India the class struggle is turned into caste struggle, it is not a happy island but even there iniquity, corruption and…

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Review of Kajillionaire (2020)

By Mauro_Lanari (665) on 22 Mar 2021

(Mauro Lanari) While waiting for the Big One chosen as a symbol of annihilation due to death, is the ascetic approach of anticipated detachment…

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Review of Then Came You (2018)

By Mauro_Lanari (665) on 13 Mar 2021

(Mauro Lanari) How many loved ones have I already left behind? One was already too much…

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Review of The Mauritanian (2021)

By Mauro_Lanari (665) on 12 Mar 2021

(Mauro Lanari) Why should a director who debuted in 2006 with The Last King of Scotland be interested in Guantanamo in 2021, after the films…

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Review of Coming 2 America (2021)

By Mauro_Lanari (665) on 07 Mar 2021

(Mauro Lanari) Coming America 2.0: from fairytale to musical with Sister Sledge's We Are Family (1978). Every era has the black cinema it deserves…

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Review of The Little Things (2021)

By Mauro_Lanari (665) on 06 Mar 2021

(Mauro Lanari) Hancock seeks an encore of the previous The Highwaymen, where he had mixed the atmosphere of the first season of True Detective…

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Review of The Last Vermeer (2019)

By Mauro_Lanari (665) on 03 Mar 2021

(Mauro Lanari) A theological issue Friedkin's debut is cute and worth a watch, moreover quite often it offers ideas that can be taken as a…

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Review of I See You (2019)

By Mauro_Lanari (665) on 03 Mar 2021

(Mauro Lanari) The serial killer is murdered while trying to explain the reasons for his behavior (a childhood trauma?)…

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