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Last updated: 26 Jul 2026 at 15:07 UTC

Movie Reviews by Manohla Dargis - Page 2 of 96

21-40 of 1,909 Reviews

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Review of A Thousand and One (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 30 Mar 2023

In A Thousand and One, [Rockwell] packs a great deal into her filmmaking, which bristles with looks, gestures, bodies in breakneck motion and…

Review of John Wick: Chapter 4 (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Mar 2023

There is simply and once again Reeves, the axis who centers this franchise with his grave sincerity, beatific glow and mesmerizing, rooted…

Review of Creed III (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 02 Mar 2023

As entertaining as it is predictable, Creed III does exactly what you expect, delivering nicely balanced helpings of intimacy and spectacle,…

Review of Palm Trees and Power Lines (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 02 Mar 2023

Dack takes obvious care to make sure that the filmmaking and camerawork don’t further exploit the character…

Review of Ant-Man and the Wasp: Quantumania (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Feb 2023

Pfeiffer, Majors and Douglas (as Hope’s equally big-brained dad) are the truer stars of this show, and each brings something valuable to the mix…

Review of Of an Age (2023)

By Manohla Dargis (1,909) for The New York Times (9,847) on 09 Feb 2023

The movie’s greater, intractable problem, though, is that Stolevski has burdened his characters with such obvious narrative instrumentality…

Review of Alice, Darling (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 19 Jan 2023

The larger problem is that there’s not enough here — in story terms or in the filmmaking — to sustain even the movie’s 90 minutes…

Review of Wildcat (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 29 Dec 2022

In shaping this narrative, though, Lesh and Frost have left out details that would have deepened and broadened Wildcat…

Review of The Eternal Daughter (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 28 Dec 2022

Hogg’s greatest stroke in The Eternal Daughter is her casting of Swinton in both lead roles…

Review of Babylon (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

There isn’t much going on other than the spectacle of its busily spinning parts, which might be tolerable if the first two hours weren’t…

Review of Babylon (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

There isn’t much going on other than the spectacle of its busily spinning parts, which might be tolerable if the first two hours weren’t…

Review of Corsage (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Dec 2022

Making Elisabeth interestingly human proves more than enough, a feat that Kreutzer and Krieps accomplish to dazzling effect…

Review of The Super 8 Years (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 15 Dec 2022

Memory is also, I think, one reason we watch movies like this, which with its lapidary narration and melancholic images — with its laughing…

Review of Guillermo del Toro's Pinocchio (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 09 Dec 2022

It’s evident that the filmmakers wanted to create a different, tougher and putatively more serious Pinocchio than the Disney version that…

Review of One Fine Morning (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 08 Dec 2022

The story’s ellipses and graceful structure are certainly admirable, but what elevates One Fine Morning is the texture of Sandra’s emotions,…

Review of Emancipation (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 02 Dec 2022

Part of this movie’s power comes from its insistence that you look at the near-unbearable, that you confront slavery as a crime against humanity…

Review of Nanny (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Nov 2022

Jusu draws fluidly from different genres and modes in “Nanny” — from scene to scene, the movie plays like an immigration drama, a lonely…

Review of All the Beauty and the Bloodshed (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 23 Nov 2022

The movie’s bifurcated shape isn’t novel, but Poitras’s marshaling of all this information is exceptionally graceful…

Review of EO (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 17 Nov 2022

No movie that I’ve seen this year has moved me as deeply, made me feel as optimistic about cinema or engaged me with such intellectual vigor…

Review of The Fabelmans (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 10 Nov 2022

The Fabelmans is, as the title says, somewhat of a fable and wonderful in both large and small ways, even if Spielberg can’t help but soften…

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